Ana de la Reguera in “Hidalgo – La Historia Jamás Contada” [2010 Mexico]

.

Ana de la Reguera in 'Hidalgo - La historia jamás contada'

Ana de la Reguera is as delectable as ever in the 2010 Mexican film, "Hidalgo - La Historia Jamás Contada"

 

Antonio Serrano’s 2010 biopic of Mexican priest-turned-revolutionary Miguel Hildalgo is more about his personal life than his conquests, and therefore aptly named, “Hidalgo – La Historia Jamás Contada” [Eng. Title: Hidalgo – The Untold Story]

While the film is fairly well made, it is nothing special, unlike the very very special – muy linda, muy hermosa Ana de la Reguera. She plays Josefa, the daughter of a wealthy man who falls in love with her dad’s childhood friend, Miguel Hidalgo. The film delves into the various factors that influenced Hidalgo’s beliefs and actions – recounted by Hidalgo himself from a prison cell as he awaits execution.

There’s just one nude scene in the film, but I inserted from my DVD another brief scene displaying the gorgeous Srta. Reguera’s tantalising cleavage as she arrives with her father to meet Hidalgo for the first time.

.
Continue reading

Posted in Ana de la Reguera, Mexico | Tagged , , , | 1 Comment

Ottavia Piccolo in “Bubù” [1971 Italy]

Ottavia Piccolo in "Bubù"

Scenes of Ottavia Piccolo from Mauro Bolognini's melodrama, "Bubù".

 

I haven’t yet fully discovered the filmography of the late Italian director Mouro Bolognini, but from what I’ve seen so far, it appears his earlier works were far superior to those done in his later years. His 1971 beauty “Bubù” certainly falls under the former, and films like La Venexiana, the latter. 

“Bubù” – a period piece, is a magical film with sumptuous cinematography and art direction reminiscent of a late renaissance painting, supported by gorgeous costumes, excellent soundtrack, well written script, and a casting that couldn’t possibly be bettered. On their part, the actors give a solid performance to make this a fine and memorable film. 

The story is about a young laundress, Berta who falls madly in love with a baker – Bubù, who in turn quits his job and ends up living off his lover. Her meagre income couldn’t obviously meet his gambling and other needs, so he forces Berta into prostitution – he becoming her pimp. Meanwhile Piero, a student living nearby who too loves Berta, tries to redeem her. But she supresses her feelings for him, only visiting, unannounced, whenever she needed something. The film takes a darker turn when Berta becomes a carrier for syphilis and passes it on to Bubù, who soon starts showing his true colours. But Berta finds it hard to raise herself out of the gutter, even with a helping hand from Piero, for he too proves his fallibility. I’m not generally a great fan of melodrama, but this one is a beautiful and poignant exception. Le ragazza molto bellissima Ottavia Piccolo plays Berta

 

.
Continue reading

Posted in Italian Cinema | Tagged , | 2 Comments

Ana Torrent and Emma Suárez in “Vacas” [1992 Spain]

Emma Suarez and Ana Torrent in "Vacas"

Scenes of Ana Torrent, Emma Suárez, and Elisabeth Ruiz in Julio Medem's masterpiece - Vacas.

 

For a debut feature, Julio Medem’s “Vacas” [Eng. Title: Cows] is extraordinarily mature in craftmanship and execution. It’s as if he had already set the template for his style of filmmaking – imprints of which can be found in all his films since then. Even though I had seen his second film “La Ardilla Roja” earlier, it was “Vacas” that made me a true fan of the maestro, and through the years he’s never failed to impress. This still remains one of my all-time favourite Medem films along with “Los Amantes del Circulo Polar” – it is European cinema at it’s best. I’m not surprised he won the Goya for the best new director the following year.  

The story spans three generations of two feuding families – neighbours – in the Basque country. But I’m at a loss as to where to begin writing about this masterpiece – Sr. Medem has crammed in so many themes and references, some of which still debated to this day in film forums, that it would require a wholly different topic to extol its virtues. And yes, there are some minor imperfections here and there, but this only adds to the film’s charm. All I can say is – don’t miss this film if you get a chance.  

I’ve combined several scenes in this compilation from my DVD which I found relevant to this blog. The first part is when Catalina, played by Ana Torrent, loses her virginity to her neighbour under dramatic circumstances – they had loved each other from a distance until then. The second part is when Catalina sneaks out in the night to rendezvous with her lover who is now married to someone else – their son notices but pretends to be asleep – but when she returns, she sees her possessive brother waiting for her. There is then a brief exposure from Elisabeth Ruiz as she feeds her baby while being watched by people around, and finally Cristina, played by a cute Emma Suárez is being photographed by her half brother – she was twenty eight when she did this film but barely looks older than fifteen.  

Continue reading

Posted in Emma Suárez, Julio Medem, Spain | Tagged , , , , , | 2 Comments

Rita Russek & Christine Buchegger in “Aus dem Leben der Marionetten” [1980 Germany, Sweden]

The great Swedish filmmaker Ingmar Bergman made his 1980 gem, “Aus dem Leben der Marionetten” [Eng. Title: From the Life of the Marionettes] while living in Germany.

It is among his lesser known films, and also the most underrated.  Perhaps because it is a departure of sorts from the customary delicateness with which he treats his subject. Here not only is he brazen, particulary screenplay-wise where the leading characters trade off verbal blows against each other, he even opens the film with a violent murder and rape. But that is all that is different – his amazing cinematic eye – the visuals, the cinematography, the sound, and not least the direction is as intact as ever. Even though most of the film is shot in black and white – only the prologue and epilogue are shot in colour, it is exquisite, timeless, and worthy of a reappraisal. If you love cinema and haven’t watched it yet, you should – Highly Recommended Viewing..!

Peter is a succesful businessman living with his beautiful fashion-designer wife Katarina, lovely house et al. They are childless, and fully focused on their respective careers. They are also in love, but their marriage is strained, and both have had fleeting affairs in the past. At the start of the film, we are shown Peter murdering a prostitute and analy raping her body. The rest of the film is a non-linear narrative, piecing-together the reasons for what he did using flashbacks and flashforwards. We study each of the main characters along the way – Peter, Katarina, Peter’s mother, their psychologist, and a gay fashion designer who works with Katarina. The film tries to fathom the social, emotional and psychological reasons that contributed to his insanity that culminated in the murder. Beautiful Christine Buchegger plays Katarina, Peter’s wife. T

Scene 1:
The film starts with Peter chasing and murdering the prostitute Ka, played by a young Rita Russek.

Rita Russek is chased around the closed sex parlour by her insane killer.

 

Scene 2:
This beautiful scene is a dream narrated by Peter to his psychologist. In the dream, he is with Katarina, and suddenly realises he couldn’t make love even if he wanted to, and is mocked by Katarina.

Christine Buchegger in Aus dem Leben der Marionetten

The beautiful Christine Buchegger in an amazing dream sequence from Aus dem Leben der Marionetten.

 

Scene 3:
This happens just before the murder. The scene is over ten minutes long. The first two minutes is of Peter visiting the place where prostitute Ka works. While he waits for her, we are shown a well-lit peep show of one of Ka’s colleagues – unfortunately the actress name is uncredited. Peter is allowed to stay with Ka for the night after they close. After getting to know her a little, he hesitates to do what he came there to do, and wants to leave, only to realise they have been locked inside by the guard, for insurance reasons, until the following morning.

Rita Russek in Aus dem Leben der Marionetten

A long scene where Rita Russek entertains her client in Aus dem Leben der Marionetten.

,
Continue reading

Posted in Germany, Ingmar Bergman, Sweden | Tagged , , , , , , | Leave a comment

Cristina Umaña in “Malamor” [2003 Colombia]

Colombian director Jorge Echeverri’s 2003 drama, “Malamor” [Eng. Title: Bad Love] is one intensely freaky film. We use the expression “madly in love” casually these days – but this film literally depicts such a scenario.

Impressionable teenager Lisa disrupts her studies and life as she falls in love with her mother’s lover. Coming from a broken home with an indifferent father and indulgent mother, Lisa sees a soulmate in her mother’s lover – who happpens to be a hard drug addict. This inevitably leads her into experimenting with drugs, and after an overdose ends up at the very hospital where her dad works. Her mother’s lover refuses Lisa’s advances for the sake of propriety, but harbours similar feelings towards her. Things get more complicated when she had to run away from home – after shooting her father. The cute Cirstina Umaña gives a fine performance as the hopelessly infatuated Lisa. Even though the film is decently cinematographed, the quality of the DVD transfer isn’t at its very best.

 

The Nudity: Cristina Umaña

Cristina Umaña nude in Malamor

Cristina Umaña appears nude in several scenes in the 2003 Colombian film, “Malamor”

.

Continue reading

Posted in Colombia | Tagged , , , | Leave a comment