Sandra Majani in “Le Parfum d’Yvonne” [1994 France]

Patrice Leconte is a master in depicting sensuality. He is perfectly capable of extracting the sensual aspect of his characters without resorting to scenes of sex and nudity. The 1994 drama “Le Parfum d’Yvonne” [Eng. Title: The Scent of Yvonne] is one of his rare films featuring nudity.

The film, mostly told in flashback, is a nostalgic trip taken by Victor as he gazes into a fire at night. Only towards the end of the film do we see what he was gazing at. He reminisces his first encounter with Yvonne during the summer of 1958 – a young starlet staying at the same resort as he by the shores of Lake Geneva, their romance, and their subsequent engagement. The colours and sounds from these flashbacks are vivid and yet soothing, much like a fond memory, but we are aware in the back of our minds that it all seems too good to last.

Leconte has skilfully captured in his film the rose-tinted character of nostalgia. While this may not be his best known work, it is nevertheless well made, both in terms of production and artistic interpretation. The main actors give a fine performance, including a brilliant Jean-Pierre Marielle who plays the gay ‘Doctor’. Beautiful Dutch actress Sandra Majani plays Yvonne. It’s a shame this is her only feature film to date. A special mention should also be made for the awesome soundtrack by Pascal Estève, especially his choice of mambo songs by Celia Cruz – the sumptuous selection is an inspired choice. Highly Recommended Viewing!

Amazon DVD Link

 

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Segment 1:
Three different scenes appear in this segment. First is a romantic moment while Yvonne and Victor watch a game of tennis. The second is at a party where barmaid Laurence Lerel serves them – Yvonne and Victor joke about her cleavage later. It is followed by a striptease from a drunken party guest, played by Brigitte Petit. The third scene is of Yvonne and Victor travelling in a ferry to cross the lake. Yvonne tells Victor she will give him a present if he answers her question, which he does. On the deck, Yvonne reminds him of the present she promised, removes her white panties, and hands it to him saying, “…something to remember me by if I fall overboard.” When they reach the other side, Victor says, “Now that I have you safe and sound, I don’t need these any more”, and throws her panties away.

Sandra Majani in Le parfume d'Yvonne

Sandra Majani in a beautiful romantic scene from the film, “Le Parfum d’Yvonne”.

 

Scene 2:
Victor and Yvonne decide to spend the rest of the afternoon at a nearby hotel. Afternoon turns to night…

Sandra Majani in Le Parfum d'Yvonne

A long and memorable afternoon – Sandra Majani in “Le Parfum d’Yvonne”.

 

Segment 3:
This is another beautiful scene when Victor reads to Yvonne while giving her a massage.

Sandra Majani in Le Parfum d'Yvonne

Another lazy afternoon, another romantic interlude. Beautiful Sandra Majani in “Le Parfum d’Yvonne”.

 

Segment 4:
Yvonne is invited to a party celebrating a contest she’d won. Victor watches as the host gets too friendly with Yvonne while dancing. Their mutual friend Rene advices him not to take notice. Later when Victor asks her why she didn’t stop the man when he was groping her, Yvonne replies that she was simply being nice to him. In the second scene, they visit Yvonne’s family home, and she takes him upstairs to her old room. She tells him that no boy had ever been there before, and invites Victor to make love to her. “For the last time,” he says, “…until we’re on the boat to America!”

Sandra Majani in Le Parfum d'Yvonne

Will this beautiful dream last. Sandra Majani in “Le Parfum d’Yvonne”.

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Elia Galera in “La Mujer Más Fea del Mundo” [1999 Spain]

Elia Galera in La Mujer Más Fea del Mundo

Elia Galera, proud owner of probably the most beautiful breasts in the world.

 
Miguel Bardem’s 1999 tongue-in-cheek comedy “La Mujer Más Fea del Mundo” [Eng. Title: The Ugliest Woman in the World] may not be the best sci-fi film to come out of Spain, but it has a very original storyline.

Young Lola is considered ugly by everyone and is constantly taunted by children. Even her parents dump her in a convent, and she grows up under the care of a nun. An eighteen year old Lola finally meets a scientist/professor who’s working on a beauty potion. He agrees to use her as a guinea pig, and his experiments turn out to be successful. But all the taunting in the early years has damaged Lola’s soul, which couldn’t be healed. She is now a psychopathic super-model – her victims invariably female models.

It isn’t a bad film at all, its best technical aspect must however be its editing – smooth and exceptionally well done. Coincidentally, the story is set in 2011.

There is very little nudity, but what little there is, is definitely worth waiting for. Elia Galera who plays Lola gives us a well lit view of her simply stunning rack. Surely they MUST be among the most beautiful breasts in the world. And I can’t believe she hasn’t showed them more often. What a pity..!

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Laetitia Casta and others in “Gitano” [2000 Spain]

I’ve never seen any of Manuel Palacios’ films until now – and if the rest of his films are around the same standard of his 2000 film “Gitano” [Eng. Title: Gypsy], I’d be glad I didn’t. This is an appalling film – with some amateurish direction, screenplay,  acting and the rest. Apart from a decent soundtrack, this film has nothing much to offer.

It’s about a turf war between rival gypsy families, with several thin sub-plots. Andrés returns after serving time for a crime he didn’t commit. His ‘family’ egg him to avenge their honour. But the peace-loving Andrés is reluctant and wants to sort things out through talks.  To complicate things, his wife Lucia has left him to live with a music producer and drug dealer. This is a silly film, so I’m not going to bother with the rest of the details. Rest assured the only reason this film would even vaguely be remembered for is its assorted scenes of nudity.

 

Compilation 1:

Cristina Peña & Marta Belaustegui in Gitano

Scenes of Cristina Peña and Marta Belaustegui from the 2000 Spanish film, “Gitano”.

The first part is of a lonely Andrés getting some much needed company in the form of a prostitute, played by Cristina Peña. The second part has less nudity but is probably the more interesting of the two. Lola, his brother’s wife (and his wife’s sister), confesses that she’d loved him even before he met her sister Lucia. One evening Andrés gets beaten up by the police for paying a visit to Madrid, and Lola tends to his wounds. Pretty Marta Belaustegui plays the Lola character.


Compilation 2:

Laetitia Casta in Gitano

Laetitia Casta plays the femme-fatale in the 2000 Spanish film, Gitano.

In the first part, Andrés’ wife Lucia turns up at his house unexpected. He asks her to leave, but her charms prove irresistible. In the second part Lucia kills her lover and asks Andrés to join her so that they could live a happy life together. When he calls her a whore and tries to leave, she shoots him too. After giving a chase (wounded), he pins her to the ground, when Lucia provocatively opens her dress and asks, “come on, don’t you like this pussy any more?” Laetitia Casta gives a terrible performance as the indifferent slut Lucia.

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Carice van Houten in “Zwartboek” BR720 [Netherlands, Germany 2006]

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The 2006 World War II drama “Zwartboek” [Eng. Title: Black Book] is the most recently completed film by Paul Verhoeven. It’s also his first European film in a while after a long stint in Hollywood.

The film is set in occupied Netherlands, when wealthy Jews are promised safe passage out of the country only to be double-crossed and handed over to Nazis for slaughter. A young Jewish woman Ellis de Vries, played by true classical beauty Carice van Houten, escapes one such assault and volunteers to join the local Resistance. She’s assigned the dangerous task of infiltrating the Nazi headquarters and win the trust of the Commander Ludwig Muntze. She changes her name to ‘Rachel Stein’ and takes up the job of Ludwig’s secretary, and soon enough manages to seduce him. She passes on secret intelligence of forthcoming operations to the Resistance, but soon realises someone from within the resistance is passing information about the intelligence leak back to the Nazis. She finds herself trapped, on the one hand by the Resistance who believe her reports are unreliable, perhaps even accusing her for joining the Nazis, and on the other hand the Nazi command, who are beginning to close-in on her. Things are complicated further when the relationship between ‘Rachel’ and Ludwig develops into something more than simply sexual.

Both in terms of creative input and technical aspects, this is a very well made film and personally, I’m glad Mr. Verhoeven started making films in Europe again. Recommended viewing!

The scenes below were cut from Blu-ray.

 

Scene 1:
Preparing for her new ‘Aryan’ identity, ‘Rachel’ makes sure even her nether regions look the part – and she also gladly obliges her Resistance colleague before embarking on her assignment.

Carice van Houten in Zwartboek

Carice van Houten dyes her pubic hair blonde before assuming her new identity as ‘Rachel’.

 

Scene 2:
At her new job, ‘Rachel’ makes good use of an invitation from her boss to look at his ‘stamp collection’ at his quarters. After discovering ‘Rachel’ isn’t a true blonde, Ludwig inspects her face and asks why her features look Jewish. In reply ‘Rachel’ asks rhetorically whether her breasts, or for that matter her vagina looks Jewish too. It’s hard to tell, if you ask me..!

Carice van Houten in Zwartboek

Carice van Houten in Zwartboek: seducing the enemy.

 

Scene 3:
Rachel makes acquaintance with Ronnie – a ‘secretary’ to Ludwig’s colleague, who enters the bathroom to take a leak. A playful Ronnie opens Rachel’s shirt and asks his opinion on her breasts. When he tries to grope her, she reminds him that it is the commander’s property.

Carice van Houten in Zwartboek

Carice van Houten in Zwartboek: “You can see but cannot touch”

 

Scene 4:
Ludwig begins to suspect that someone is passing on information to the Resistance, and corners Rachel one evening, but we soon realise he’s also in love with her.

Carice van Houten in Zwartboek

Carice van Houten in Zwartboek: A finger of suspicion is pointing at you.

 

Scene 5:
Ronnie becomes Rachel’s trusting friend. In this scene, she pretends to be drunk and allows the guards to grope her, so that Rachel could sneak out to release some Resistance members. Ronnie is played by Halina Reijn.

Halina Reijn in Zwartboek

Halina Reijn in Zwartboek: She may be a drunken slut, but all’s not what you see.

 

Scene 6:
The Allies liberate Netherlands, and ‘Rachel’ – Ellis is now accused of having slept with the enemy. She’s held along with other Nazi prisoners and humiliated publicly, until one of her past colleagues in the Resistance recognises and rescues her.

Carice van Houten in Zwartboek

Carice van Houten in Zwartboek: When ignorant fools humiliate a true hero.

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Isabella Ferrari in “Caos Calmo” [2008 Italy]

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Isabella Ferrari in Caos Calmo

Isabella Ferrari has a steamy encounter with Nanni Moretti in the 2008 Italian film, "Caos Calmo"

Antonello Grimaldi has tried to make a serious film dealing with family loss in this 2008 drama, “Caos Calmo” [Eng. Title: Quiet Chaos].

Pietro, a successful executive returns from a day out at beach with his brother to find his wife had just died after taking a fall. The rest of the film is about Pietro reconciling with the past and finding a new direction in his life. He refuses to go back to work where an important merger is happening and spends all his day at the park outside his daughter Claudia’s school. He meets some interesting characters while waiting to pick up Claudia, and during the course of the film, a kind of distant bond develops between him and these characters. His friends, colleagues and relatives allow Pietro to keep to this routine, in the belief that he is still mourning his wife’s death.

The very little background we’re given about his life was that he probably wasn’t ‘in love’ with his wife when she died, and had had fleeting affairs with his insecure sister-in-law Marta in the past (played by the ever-so-delectable Valeria Golino). But we find it hard to relate to Pietro, who after all seems to have no financial worries despite not turning up for work, always drives a gleaming Beemer, and lives in a world far detached from the ‘real’ one. He is not particularly considerate, and is in a way merely ticking some boxes from a checklist, a la Earl Hickey – his list of emotional shortcomings.

A lot of effort has been invested in production values, but the film comes across as a hybrid between a TV drama and a typical Hollywood film. The film doesn’t feel ‘Italian’ at all, not even ‘European’.

And now to the infamous sex scene, which was branded ‘obscene’ by the Vatican. Pietro (played by well known director Nanni Moretti) invites over a married Eleonora to his holiday home and has wild sex. Even though it isn’t explicit, it is pretty clear they are actually fondling one another – I haven’t seen a major actress getting groped on film the way Isabella Ferrari does for a long time. And it goes on for nearly four minutes, and yes, there is something vulgar about it.

First of all, this scene is completely at odds with the rest of the film. We don’t expect Pietro to behave that way – not once does he even express an inclination for sex. But it is entirely justified in the context of his state of mind – this is not about his sexual desire or prowess, but a manner of exorcising his ghosts. Pietro rescues hitherto stranger Eleonora at the beach at around the moment his wife was falling to her death. He himself could have drowned during the rescue, and no one even bothers to thank him afterwards. More importantly, the out-of-the-blue sexual encounter is more of a fantasy than reality because it ends abruptly, we never get to see Eleonora again, and whatever dialogue they’ve had since the rescue doesn’t logically extend to the sexual act. That’s why I’ve combined in this compilation both the rescue and the sex scene as they are definitely connected – you will see that during the rescue, Pietro even readjusts Eleonora’s bikini top when one of tits start hanging out. But I’ve also inserted an unrelated scene of Valeria GolinoMarta tries to take her clothes off in public after having parking trouble (women, eh!) – she apparently does this every time she’s in distress – taking her clothes off, that is..! 🙂

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