Scenes from “Little Deaths” [2011 UK]

I’m not generally a great fan of gore/horror even if I do sit through the odd one just to discover its notoriety, and I admit not having too many expectations either when I opened the DVD of the British film “Little Deaths”, a collection of three short films written and directed by different young directors. And boy was I pleasantly surprised – all three were of a particularly high standard for this genre, both in terms of performances and technical merits. All three pertain to sex and death. They manage to be shocking, and at the same time disturbingly sensual without going overboard with the blood and sex – a lot of it is implied, allowing us to construct the horror for ourselves – and the disturbing fact is we can’t take our eyes off the screen. But the films are anything but sleazy – these guys’ talents truly require some unearthing. I’ve not heard of any the directors or the cast, but they’ve done a commendable job with their apparently minimal budget.


1: House and Home
Written and directed by Sean Hogan. This is by far the more traditional ‘slasher’ of the three, using vampirism and forced bondage as its running theme. A well-to-do married couple keep their relationship going by indulging in dangerously deviant behaviour, by kidnapping homeless persons and having their way with them, and if they survive the ordeal, pay them off for their involuntary services. Richard brings home Sorrow, and drugs her so that he and wife Victoria could have some fun at her expense. Turns out it was a mistake, as Sorrow and her friends hadn’t eaten for several days, and they too have been waiting for such an opportunity.


2. Mutant
Written and directed by Andrew Parkinson. A doctor prepares his own unique medication for drug addicts using sperm farmed from a caged mutant. Turns out that the medication has some undesirable side effects – apart from some psychic abilities, patients such as Jen become sex addicts, and also feel the mutant’s thoughts. Add to this, not only does the mutant require a very special diet, if and when it dies (they usually do), it’s productive organs can also be transplanted into human beings, to create a new mutant.


3. Bitch
In my view the best of the three, very well written and directed by Simon Rumley. Pete loves Claire very much, but the woman uses him as little more than a doormat, as a dog in fact, complete with his own kennel. She refuses to treat him as a normal boyfriend, having flings with anyone she fancies, but expecting him to be there when needed. An upset Pete on one occasion behaves like an ‘untrained’ dog, and is promptly admonished. Strangely, Claire also has a phobia of real dogs, and can’t stand them in her vicinity (the film’s title couldn’t have been more loaded). But when Claire invites Pete’s best friend and even has sex with him in Pete’s presence, he considers it a step too far.

While all three films are shocking, they are also disturbingly kinky – in a manner all three dabble with BDSM themes, but the final film mixes it with horror intelligently and takes it to a different level. Even though this isn’t my area of interest, this collection is Highly Recommended Viewing..!

Amazon DVD Link


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Press Release on Roland Reber’s latest film, “The Truth of Lie”

The new film, “Die Wahrheit der Lüge” [Eng. Title: The Truth of Lie] from WTP International will celebrate its German Premiere at the 45th Hof International Film Festival (25th-30th October 2011).

Its International Permiere will be at the 42nd International Film Festival of India (IFFI), Goa, India (23rd November – 3rd December 2011)


 

WTP International's "The Truth of Lie"

 

 

  • The new film from WTP International (Director: Roland Reber), the psychodrama “The Truth of Lie”, has been invited to the 45th International Hof Filmfestival held from 25th-30th October 2011) and will celebrate its German Premiere.
  • The International Premiere will be at the renowned International Film Festival of India, Goa (IFFI) which will be held from 23rd Nov to 3rd Dec 2011.
  • The film later also attends the 9th Chennai International Film Festival, India held between the 14th and 22nd December 2011.

The new movie by Roland Reber, the ‘enfant terrible’ of the german film industry, is hard, merciless and true. As true as the lie allows.


Synopsis:
A writer (Christoph Baumann) is holding two women captive (Marina Anna Eich, Julia Jaschke). He wants to make them experience their outer limits, lead them to the “top”. He tortures them in body and soul. However, his methods are not leading to the desired result. His publisher (Antje Nikola Mönning), a shady woman, is pushing him further and further. The torments are getting more and more bizarre. Rules are put in place – just to be immediately broken. It looks like a battle against time as a stopwatch continuously counts down towards zero. What will happen then?

The writer says, “Experiencing one’s outer limits is only possible once you are on the limit. But where is the boundary and who enforces it?”
Nothing seems to be as it appears.

 

WTP international GmbH has again produced this film without any subsidy, but with a lot of commitment from everyone involved.

The theatrical release is scheduled for April 2012.
More up-to-date information can be found at
www.wtpfilm.com

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Antonella Costa in “No Mires para Abajo” [2008, Argentina]

Having revisited Eliseo Subiela’s “No Mires para Abajo” [Eng. Title: Don’t Look Down] – I’ve had this DVD for well over two years now – I’m no longer sure how to classify it. Yes, it has all the ingredients of a Subiela film – he’s preoccupied as usual with the esoteric, with metaphysical elements thrown in for good measure. But I couldn’t help wondering if the theme may be a bit outmoded and out of synch with life today – we’re after all not in the swinging sixties any more.

It is charming nevertheless, and has an innocence about it that’s endearing. The film however has nothing new to say, and acts to a large extent as one of those love-making manuals based on ancient texts. But it has some awesome scenes of Italian born actress Antonella Costa that is worth checking out – the only reason I’d recommend this film.


Storyline:
The film starts promisingly with an interesting quote from André Breton, “Whenever and wherever society deems life worthless, we must see through the eyes of Eros. In the fullness of time, it is up to Eros to restore the balance between life and death, which has been tipped in death’s favour.”

A young man who’d recently lost his dad is initiated in physical love by an older experienced woman. His journey of discovery is both pleasant and painful as he realises love cannot be possessed.

The cinematography, music and direction is of high standard, and the film engages its audience with Subiela’s customary pithy dialogues. This is not the best Subiela film you can see, but it is enjoyable nevertheless.

I however look forward to Subiela’s most recent film, “Rehén de Ilusiones” which, having watched only the trailer, looks quite promising. But for those interested in “No Mires para Abajo”, I’d recommened the NTSC release over the PAL version, for the quality of transfer.

Amazon.com DVD Link


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Y Sa Lo in Fassbinder’s “Die Dritte Generation” [1979 W.Germany]

When he made “Die Dritte Generation” [Eng. Title: The Third Generation], Rainer Werner Fassbinder was disillusioned with far-left politics – he was thought to have been marginally sympathetic towards organisations like the R.A.F at the beginning, but here he was, two years after their crackdown, taking a harsh and cynical look at misguided and vague ideologies of such revolutionaries.

Die Dritte Generation is an unusual Fassbinder in that it is shot in a style very different to his earlier films, highly original nevertheless. Many of the dialogues and scenes are intentionally overlapped with sound from radio/TV, or text quoted from press editorials and public urinals, some of which is to make a historical reference point, but some are merely used to mock and talk over the characters, who are not only incompetent, but also don’t seem to have any firm convictions left. The film starts with a statement, “Dedicated to a true lover like no other – perhaps?”, which while sounding innocuous, is provocative coming from Fassbinder (he’s convinced there aren’t any left, and doesn’t spare innocent bystanders caught in the crossfire either). This lesser known but meticulously crafted gem of a dark comedy from Fassbinder is definitely one of his great films. The production values are excellent as usual, and includes one of his regulars, the beautiful Hanna Schygulla in the role of Susanne, one of the gang members and daughter in law of a police superintendent, and Fassbinder, apart from writing and directing, also handles the camera work. Needless to say, “Highly Recommended Viewing”.

Here’s a great value box-set, which includes this classic, along with some of his other films featured in the blog:
Amazon Artificial Eye DVD Box-set


Storyline:
“Die Welt als Wille und Vorstellung” (“The World as Will and Representation”, attributed to philosopher Arthur Schopenhauer) is the ironic codeword issued to activate a Berlin cell of a revolutionary wing – all the members had by then settled into benign middle-class existence. The film pokes fun at them as they ineptly seek targets and purpose. The father of one of the members also happens to be the police superintendent. But unbeknown to some of the members themselves, they are being funded by a multinational hi-tech company selling computers, as part of its marketing strategy. After a fall in terrorism levels, few companies wanted to invest in computer systems any more, and the company cynically uses the gang to engineer hi-profile hits to renew interest in its products. Add to this the ineptness of the gang and some misfits tagging along with them, a bundle of gags unfold in this unusual comedy about terrorism.


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Fernanda Reto & Xochitl Marbach in “Crímenes de Pasión” [1995, Mexico]

OK the title says it all – “Crímenes de Pasión” [Eng. Title: Passionate Crimes] mustn’t have required too much brainstorming from the film’s production and marketing team – the film most probably was either a vehicle for someone’s career/vanity, or simply an excuse to burn money – both probably. Suffice to say I’m actually embarrassed to admit that I even own this DVD. Mexicans live life to the extreme, and likewise their films also swing from the most profound to the mediocre (I’m struggling to find the right word).

Anyway, the film does include copious nude scenes from actresses Fernanda Reto and Xochitl Marbach, and I’m recording them here to save others the endurance of having to watch this excuse of a film.

Story in a nutshell – Gabriel, a mentally unstable actor, upon release from asylum falls for aspiring actress Julieta, and tries to help her win film roles – only, she doesn’t fancy him one bit, and merely uses his connections for bettering her career. Her best friend Letícia, also an aspiring actress, uses a friend’s uncle – a senator, to further her ambition. Both their interests clash at some point – crime ensues.


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