Antje Nikola Mönning & co in “Engel mit Schmutzigen Flügeln” [2009 Germany]

Roland Reber’s 2009 film, “Engel mit Schmutzigen Flügeln” [Eng. Title: Angels with Dirty Wings] is probably among his lighter works, it being more of a satirical comedy. Having said that, X-Factor contestants should perhaps be asked to watch this film – but then again, they might not ‘get it’.

Storyline:
Three biker-friends – Michaela, Gabriella, and Lucy appear to like putting each other through ordeals for the right to stay in the group, and this time it is Lucy’s turn. Michaela and Gabriella accuse Lucy of being vain, conceited and ignorant, but behaving outwardly as goody-two-shoes. They want her to ‘be herself’ – live the horny slut she’s always been deep-down. This takes Lucy on a lurid journey of ‘self-discovery’, from an attention-seeking coquette to an amoral slut, which she becomes in the true sense after joining a stripclub/brothel – and enjoying every moment of it too, until she begins to question what she’s doing.

The film is an examination of present day morals – masked in the quest for individual happiness are apparently selfish motives, narcissism, and an elastic sense of morality. But the film doesn’t seem to delve deep enough to start a serious discussion on the big subject, even if Lucy’s superficiality is displayed glaringly – in your face almost. The film does try to establish, with reasonable success the fact that Lucy would easily be considered ‘normal’ by present day society, based on her outlook and charm. Not so if she lives to her true nature. But then again, by doing so, she could at least live with a clear conscience.

The Production:
Co-produced by Roland Reber, Marina Anna Eich, Patricia Koch, and Antje Nikola Mönning – also the star of the film, the production has the usual WTP ingredients of team members doubling up as technical staff where necessary – Mira Gittner handles the cinematography and editing, and others also take up some walk-in roles. For me though, I was more impressed with Wolfgang Edelmayer’s soundtrack – apart from the main reason for watching the film of course – for the sultry redhead Antje Nikola Mönning. She casts herself well in the role of the angel, with very dirty wings indeed – some of her scenes have to be seen to be believed. Roland Reber and his team have as usual tread a thin line between art and pornography, and managed to stay on the ‘right’ side… I think. Needless to stay it is a provocative film, demanding to be heard, and therefore, Recommended Viewing..!

The (optional) English subtitled DVD also comes with a load of extras, including a fascinating ‘Making of’ and a rather ‘exposed’ photoshoot of Antje Nikola Mönning and Marina Anna Eich for Penthouse Magazine. It is also the only proper instance of Marina Anna Eich appearing in the nude, but enjoyable nevertheless.

Official site and Trailer
Amazon.de DVD Link


 

 

Still-Set 1: Antje Nikola Mönning, Mira Gittner, and Marina Anna Eich

Angel with Dirty Wings

Antje Nikola Mönning, Mira Gittner, and Marina Anna Eich from scenes in
“Engel mit Schmutzigen Flügeln” aka “Angels with Dirty Wings” (2009, Germany).

 

Still-Set 2: Antje Nikola Mönning and Maren Scholz

Angel with Dirty Wings

Antje Nikola Mönning and Maren Scholz from Roland Reber’s
“Engel mit Schmutzigen Flügen” aka “Angels with Dirty Wings” (2009, Germany).

 

Bonus Still-Set: Photoshoot of Antje Nikola Mönning and Marina Anna Eich

Angel with Dirty WIngs

Excerpts from a Penthouse magazine photo-shoot featuring 
Antje Nikola Mönning and Marina Anna Eich.

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German premiere dates for Roland Reber’s “Die Wahrheit der Lüge” [2011, Germany]

Die Wahrheit der Lüge

"The Truth of Lie"

 

 

Here’s the premiere dates for Roland Reber’s “Die Wahrheit der Lüge” [Eng. Title: the Truth of Lie] at the 45th Hof International Film Festival, Hof, Germany.

Thursday 27th Oct 2011 at 24:00
Saturday 29th Oct 2011 at 21:30
Sunday 30th Oct 2011 at 13:30

Those who could attend, come back and let us know your thoughts on what seems to be another envelope-pushing film from WTP International..! 🙂


Some photo-stills from the film:



More stills, and interviews with Marina Anna Eich, Christoph Baumann, Antje Nikola Mönning, Julia Jaschke, and Roland Reber himself can be found in their film’s website. The interviews are in German, but their English site will be updated shortly.

http://www.diewahrheitderluege.com

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Malgorzata Braunek & co in Andrej Zulawski’s “Diabel” [1972, Poland]

I’ll start Andrzej Zulawski’s filmography with one of his early (and rare) films, “Diabel” [Eng. title: Devil]. This is not my favourite Zulawski film – his next feature, “L’important c’est d’aimer” certainly is. But there’s a surreal quality to this otherwise shocking film – Andrzej Zulawski is no stranger to controversy, but even by his standards it is shocking. It was promptly banned in Poland and remained so until the fall of communism – even if the film is set in the 18th century, its message is allegorical and could relate to any corrupt and cruel regime.

Cruel too is the film – depicting mindless acts of violence, debauchery, and pain. It is also highly stylised, reminiscent of Alejandro Jodorowsky’s “El Topo”, and the costumes and make-up as outlandish as Federico Fellini’s “Satyricon”. Some of the dialogues come out absolute bonkers through the subtitles – I’m not sure if they’d have been any more intelligible for a Polish audience. The film nevertheless is a fascinating piece of cinema – the images are vivid and some of the scenes will stick with you long after you’ve put the DVD away. But I don’t think I’ll be watching this again any time soon – life’s depressing as it is! The compilation below is from the DVD in my Zulawski Box-set – it is not remastered – and the quality is only so so. However, if you’re looking for something challenging, confrontational, and outrageous, “Diabel” is definitely Recommended Viewing.

Recommended Amazon DVD Box-set


Storyline:
A man clad in black (the Devil?) makes use of the chaos when Poland is invaded by Prussia, to free political prisoner Jakub, a young nobleman and dissident of the monarchy. The man seems to know everything about Jakub, his family and friends, and persuades him to return home. He also kidnaps one of the prison nuns and forces her to accompany Jakub, who returns home only to discover his father’d just killed himself, his fiancée is now married to his best friend – she’s also pregnant by God-knows-who, his mother had been a whore since running away from home when he was little, and his sister is a nymphomaniac, ‘engaged’ to a half-brother none of them knew they had. We see Jakub growing insane as he watches his life crumble – who wouldn’t, and it is the sinister man in black who seems to appear out of nowhere to show Jakub these awful truths. He definitely seems to have a hidden agenda…


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Salma Hayek and Ofelia Medina, as Frida Kahlo [2002, 1984]

Frida Kahlo is perhaps the most famous female painter from Latin America, not only for her extraordinary body of work, but also for the manner in which she overcame insurmountable odds and handicaps since childhood to live a life as colourful as her work itself. She is also associated with some historic men of her era, but she was almost forgotten outside Mexico until two remarkable films, significantly the later one that introduced her to the wider world, me included.

I’ve since learned more about Frida Kahlo and her work, and even recently through an interesting novel by Meaghan Delahunt called In the Blue House, which charts Leon Trotsky’s exile in Mexico, where he was a guest of Frida and Diego Rivera, her famous muralist husband.


Frida Kahlo in brief:
Born to a German Jewish father and Spanish-Amerindian mother, she was struck by polio as a child, which nevertheless didn’t stop her from participating in sporting activities. But fate deals a serious blow when she has a horrendous accident while travelling in a bus, which renders her cripple for the rest of her life – this was even before she had decided to become a painter. But not only did she recover, she went on to become an accomplished painter, to the extent that even her husband, the famous Rivera opined she was more talented than him. Politically active, she was an ardent advocate of socialism and belonged to an elite circle of artists and thinkers, some of whom, apart from her husband included muralist Siqueiros, and Lenin’s former colleague and founder of the Red Army, Leon Trotsky. She was also sexually independent, taking several men and women as lovers (including Trotsky) – both she and her husband led a rather bohemian lifestyle. But Mexico was at the heart of whatever she did – she had a strong connection with American Indian culture, which was reflected in her art and work. For more informed reading, I suggest along with the above novel, The Diary of Frida Kahlo: An Intimate Self-Portrait, and also this Wikipedia Link.


Frida [2002, Mexico, USA]
I will start with this film, which was my introduction to Frida Kahlo – the Academy award nominated 2002 film by Julie Taymour, “Frida”, starring Salma Hayek in the titular role. And in a way it is also the best vehicle for discovering Frida Kahlo.

It focuses on her life in brief, her relationship with husband Diego, her travails and triumphs. This is a suitable introduction to those who don’t know anything about Frida Kahlo – some details are skimmed past, but there’s only so much you can fit into a film. The costumes, art direction and soundtrack is particularly superb in this production – they even won a couple of Oscars – even if I felt the soundtrack could have been more generous with the mariachi than tango. Nevertheless, Highly Recommended Viewing.

Amazon DVD Link [Frida]



 

Frida, Naturaleza Viva [1984, Mexico]
Actress and activist Ofelia Medina commissioned Paul Leduc to make a feature on Frida Kahlo long before many people even knew about the painter. The film however is for those who already know a little bit about Frida Kahlo, because it is more of a montage of her life rather than a conventional biography. Most of the events are recollections of Frida as she lay in death bed, and are in a way more personal. But the casting of the main characters is simply superb – Ofelia Medina who plays the eponymous role, is Frida personified in both body and spirit.

I simply loved the way the film was made – exquisite soundtrack bursts into life in an otherwise silent film – there’s barely any dialogue, and includes long takes, allowing us to reflect on the characters, European style. The film is very non-commercial – a huge risk in those days, but it paid off with some well deserved Ariel awards, setting up several careers in the right trajectory. Unfortunately the DVD I have is not a remastered version – I doubt if it had ever been, and therefore couldn’t comment on the cinematography, but the direction and performances by the main cast is flawless. That’s why, despite the average DVD quality, this film is Recommended Viewing.

Amazon.com DVD Link [Frida Naturaleza Viva]

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Irene Grazioli & Vanna Barba in “Mediterraneo” [1991, Italy]

Gabriele Salvatores’ “Mediterraneo” won the Oscar for best foreign language film, along with a few David’s too. While it is a charming feel-good comedy, I could think of at least five worthy ones from the year that were not even nominated.

The story centres around a platoon of incompetent Italian soldiers who get themselves marooned in a remote Aegean island off Greece during World War II, with no contact with outside world for over three years – a period that also foresaw, unbeknown to them the fall of Mussolini and Italy’s switching of sides to the Allies. During the time, they settle among the Greek residents, some falling in love with local women, while some like the lieutenant take up their pre-war hobbies – he repaints damaged murals in the island’s only church. They finally get rescued one day – but not all of them are willing to leave. The lieutenant returns to the island after several years to discover the former comrades who’d stayed behind have lived full lives there all along.

The film is beautifully made with some stunning locations and great music. It is also mildly witty but you won’t find anything deep here. It also appears to be too sanitised a vision of those horrible times, and the soldiers hardly look like they’ve seen any action in battle. Recommended for those wanting some easy viewing. There’s also a nice deal going on Amazon now for those interested.

Amazon DVD Link


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