Antigoni Amanitou & co in “Bordello” [1985, Greece]

Intrigued by the earlier film of Nikos Koundouros, I decided to check out one of his later films, and as expected, it sure was different..!

His 1985 drama, “Bordello” [aka “Bordelo”] is set during the last days of Ottoman Crete when the island was occupied and controlled by Great Britain, Russia, Italy, and France, ostensibly to monitor a peace treaty but with their own hidden agenda. The film starts with a group of women – “The Ladies from Marseille”, landing in the port town of Chania – enterprising prostitutes hoping to take advantage of the new demand caused by the influx of the various armies. Led by Rosa Bonaparte, they settle in a mansion to start business. The film follows the politics played out at the bordello by the customers’ vested interests, not least the Cretan revolutionaries who want independence from Ottoman Turkey. The women also get reluctantly sucked into the politics of a foreign land, one they wish they hadn’t come to.

The film is exquisitely made, even if it doesn’t reach the poetic heights of Mikres Aphrodites. The set design, lighting and shot selection is outlandish and evocative of Fellini’s “Satyricon”. The acting performances range from the eccentric to the utterly ridiculous, but it all somehow works in this bizarre film. The cinematography and editing is quite good, and the film held my attention throughout even if I hadn’t a clue what’s going on in the scenes where they speak either Greek or Russian (sadly my DVD came only with Greek subtitles). There are some silly directorial mistakes, but nothing major. The costumes and make-up is very well done, but I especially loved the fabulous eye-liners of these ladies – charming, sexy, and so Greek. Add to this the extraordinary nude scenes – women filmed from unusual angles, but artistic nevertheless. The film is a visual feast, and for that reason, Highly Recommended Viewing..!

DVD Order Link


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Cécile Cassel & co in “Ex” [2009, Italy]

Many thanks for all your messages guys and its great to be back, rested and refreshed.

Fausto Brizzi is fast gaining a reputation in the romantic comedy genre. His themes may be pretty much mainstream stuff, and even if he’s telling a story told several times, it is amazing how he manages to keep it fresh, original, and very witty too. Granted there are also some mushy ‘Hollywood moments’ towards the end of his films, but he’s a work in progress and should get over it as he ventures into more challenging themes.

His 2009 film, “Ex” [more aptly titled in English: Many Kisses Later] takes a wry look at fading romance, and what it takes for couples to keep it aflame. We follow several couples going through their upheavals, and they also seem to be loosely connected, perhaps unnecessarily. However, it is a delightful film to watch, some of the scenes are positively funny, outrageous even, but some scenes are also quite moving. The film has a top-draw cast and crew, and no expense seems to have been spared. The film was also nominated for several David’s the following year. Needless to say, Recommended Viewing.

Amazon.it DVD Link


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Scenes from “Henri 4” BR720 [2010, France, Germany, Czech, Spain]

Jo Baier’s action-packed historical epic, “Henri 4” [Eng. Title: Henry of Navarre] is the story of Henri IV – one of the most beloved kings of France.

The film is nearly two and a half hours long, but not for a moment does it get tedious – as absorbing as a Paul Verhoeven classic from a different era, “Flesh+Blood” (I have the DVD which I’ll review later). But “Henri 4” is not just entertainment, it is also ambitious in its scope – the film manages to cover all the momentous events during the period without too much fudging. The interpretation may be a bit subjective, but despite that I’d rate it slightly higher than an earlier French film covering the same history, “La Reigne Margot”. Very well directed and executed, “Henri 4” is a high-vale production, with stunning cinematography, art direction, set design, sound engineering, costumes and makeup. This is a thoroughly enjoyable film and the quality in the blu-ray version (from which this compilation was made) brings forth all the crew’s efforts. Needless to say, Highly Recommended Viewing..!

Amazon.de Blu-ray Link


Storyline:
I will keep it brief as there’s tonnes of material out there concerning Henri IV. The film follows his rise from a young Protestant prince of impoverished Navarre (as Henri III), to the Catholic King of all of France (as Henri IV). It covers his upbringing, training, philandering, his loves, the numerous political assassinations and coronations, wars, his conversion to catholicism, the bloody St.Bartholomew’s Day massacre, and also his death. I’ve inserted some wiki-links for those interested in further reading on Henri IV.

 

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Posted in France, Germany | Tagged , , , , , , | 4 Comments

Giselle Calderón & Martina Klein in “Águila Roja, la Película” [2011, Spain]

José Ramón Ayerra is essentially a TV film director, and “Águila Roja, la Película” [Eng. Title: Red Eagle, the Movie] is obviously a film adaptation of his earlier TV series.

I wonder why he even bothered – there may be a story to tell but the film making is straight out of eighties in terms of style and content. The script and screenplay is not suitable for film, daytime TV perhaps. I hate to be too critical of directors making their film debut, but it has to be said that he was possibly aiming for the lowest denominator to appeal to the widest audience possible. This is not the Spanish cinema I know and love. The only positive about the film is the costumes, but the production design could have been better, as could the performances.

Storyline:
It’s a drama built around 17th century politics when Spain presided over possibly the largest empire of the time, with a troublesome neighbour in Portugal, and upstarts England and France vying for position. We have a swashbuckling masked hero thrown in the midst of a conspiracy when Charles V and Louis XIV (allegedly) try to assassinate Spain’s Philip IV. The hero saves the day for Spain along with some help from peasants armed with little more than pitchforks. There’s also a couple of brief scenes of nudity in this otherwise mediocre film – the only reason for this post.


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Silke & Emma Suárez in Julio Medem’s “Tierra” [1996 Spain]

After a thrilling “La Ardilla Roja”, Julio Medem made this surreal classic, “Tierra” [Eng. Title: Earth], retaining most of his brilliant main cast. Typically for a Medem film, hitherto missed nuances keep surfacing every time you see it, and by pure coincidence I ended up watching it twice in succession recently – need I say more. Right from the story, to the screenplay, and the characterisation, Medem had woven a stunning multi-layered tapestry using different motifs and themes. The direction is delightfully playful, and the manner in which both the outward story and ‘Medem-vision’ play independently is simply astonishing. The superb cinematography makes you want to be there and get to know these characters. I feel a bit silly stating the obvious – this is a superior classic from maestro Medem, and therefore Highly Recommended Viewing..!

Storyline:
It’s going to be tough, but I’ll give it a try – Our hero, the endearing Ángel is a pest controller – an exterminating angel of sorts commissioned to end a woodworm epidemic in a wine-growing area. Even though he’s aware the woodworm adds a unique ‘earthy’ texture to the wine that is appealing, he nevertheless has to get rid of it. Add to this, we also have wild boars ravaging the crops.

Ángel also wants to exterminate his own split personality, having spent time in a mental institution – for apparently having a rather vivid imagination – “half man, half angel”, according to his own words. This is beautifully illustrated through two women he encounters during his assignment – the married and angelic Ángela, and the free-spirited biker-chick Mari – one part of him loves Ángela while the other wants to rid himself of his split ‘twin’ – and become independent, much like Mari. Which one will ‘he’ choose – and the answer couldn’t have been more poetically established as in one of the final scenes, when the uncle tells a hospitalised Ángel that there’s a pretty woman waiting to see him. He asks his uncle, “which one, the red-haired or the blonde?”, to which the uncle replies, “which one would she rather be?”

 

This is one of those films that has to be experienced in full, but I simply couldn’t resist inserting this little clip from the film, to give you a sampler of Medem’s imaginative film making – this is when Ángel and Mari formally introduce themselves – after she announces herself by calling him “tonto”, idiot..!
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Amazon DVD Link



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