Gael García Bernal & Fele Martínez in Almodóvar’s “La Mala Educación” [2004 Spain]

While it is women who tend to be the primary character in Pedro Almodóvar films – his 2004 drama “La Mala Educación” [Eng. Title: Bad Education] is a notable exception. Hardly any woman feature in this film, and even the one who does – a wardrobe assistant played by Leonor Watling – has barely any lines.

Storyline:
It would be quite difficult to write any meaningful storyline for the film without giving away this intricate plot – so I shall not bother. All I’d say is that it is about two childhood friends-turned lovers whom we’ll follow at various intervals from the 1960’s onwards, and it is an observation of how their ‘education’ unwittingly mark their very different lives, as it also does the brother of one of them.

While the film and to an extent the setting resemble and resonate politically to Louis Malle’s “Au Revoir les Enfants”, this one is altogether dark and unforgiving – a neo-noir that’ll jolt you with unexpected twists and turns after giving you the false impression of a straightforward plot. In fact, false-impressions and false-hope make up a good part of this film within a film. Even if subdued in terms of its flamboyance, there are numerous touches that are unmistakably ‘Almodóvar’ – in the characterisation, screenplay and its glorious irreverence. The film negotiates with ease difficult topics such as paedophilia, rape, and misuse of religious power and trust, and tells us an immensely passionate tale of love, hope, and betrayal – the only difference is that the characters here are gay. And boy what a difference that is, especially if you have Gael García Bernal and Fele Martínez thrown into the main character roles. Until this film, I have to admit that my opinion of Bernal as an actor wasn’t too high – I felt he was just another pretty Latin American boy. But he emphatically proves me wrong here – whether it is thanks to Almodóvar I won’t know, but I’m pretty sure Mr. Bernal will forever be grateful for having this film included in his CV. And Fele Martínez who plays the other main character also gives a fine albeit subdued performance. Even though they don’t quite strike up a chemistry as lovers, it’s nevertheless how it should be in the overall scheme of things. As with any successful Almodóvar, the cinematography is vibrant and the soundtrack exquisite. I’d rate it equally alongside his later films such as “Todo sobre mi madre” and “Volver”. Needless to say, Highly Recommended Viewing..!

Amazon Box-set Collection
This great value-for-money 4-DVD box set comes with three other recent Pedro Almodóvar films – Volver, Todo sobre mi madre, and Hable con Ella.

 

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Marilyn Solaya & Mirta Ibarra in “Fresa y Chocolate” [1994, Cuba]

Tomás Gutiérrez Alea is Cuba’s best known and most respected director, and although I’ve seen only three films of his to date, I shall start his filmography with one of his last, “Fresa y Chocolate” [Eng. Title: Strawberry and Chocolate], a comedy drama that among other things critiques the Cuban establishment’s intolerance towards homosexuality.

Storyline:
Set in contemporary Havana, we are introduced to young David, a loyal communist and university student, in love with Vivian. But he’ll soon learn about her opportunism when she dumps him and gets married to a much well-off man. One day, David is hit on by Diego, a slightly older, exuberant, and openly gay intellectual and activist. He cunningly convinces the heterosexual and suspicious David to accompany him to his flat with the pretext of handing over some photographs of him with another woman. When David mentions the incident to his party-worker friend, he’s asked to get back in touch with Diego to gather information on any subversive activities he may be up to. He approaches Diego who has by now already fallen in love with him, and agrees to be his friend provided it is purely platonic and they never discuss sex, and Diego agrees. But before long, David will discover in Diego not only a true friend, but also a wider knowledge of the world, and more importantly, love…

One may call this an intellectual coming-of-age film – about growing up and learning to live by one’s principles. It is also a film about friendship, unrequited love, and tolerance for people who have a different point of view, or sexual orientation – the title alludes to different tastes and preferences. The film’s purpose is not to discover anything profound but merely hammer home the aforementioned message in the most straightforward way. In that, it succeeds emphatically. It is very approachable and should be seen by all as it is extremely genial, touching, and even quite funny at times, especially during the scenes in which Diego tries desperately to win David’s heart. Diego is interestingly played by Jorge Perugorría – more widely known for his rather macho roles as in “Bámbola” and “Doña Bárbara”, and David is played quite convincingly by Vladimr Cruz – he brings forth the right amount of naivety and bewilderment that his character goes through which makes him endearing. An ageing Tomás Gutiérrez Alea worked with his regular co-director Juan Carlos Tabío on this project again, and manages to prove that he could still deliver memorable films. Definitely also worthy of mention is the fabulous choice of music by José María Vitier that’s positively enchanting. This may not be Alea’s finest work even from whatever I’ve seen, but is nevertheless Highly Recommended Viewing..!

Amazon DVD Link

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The Nudity: Marilyn Solaya, Vladimir Cruz, and Mirta Ibarra
There is only brief nudity – the post is more of an excuse to write something about this Oscar-nominated film – Cuba’s first, than showcase any impressive nude scenes.

Marilyn Solaya, Vladimir Cruz, and Mirta Ibarra in Fresa y Chocolate

Some scenes from Cuban great Tomás Gutiérrez Alea’s enchanting drama, “Fresa y Chocolate” that feature brief nudity from Marilyn Solaya, Vladimir Cruz, and Mirta Ibarra.

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Rona Hartner & Romain Duris in “Gadjo Dilo” [1997 Romania, France]

Films by French director Tony Gatlif are known for its exploration of themes relating to gypsy culture, often also delving into their musical heritage. Understandable, considering he’s of Gypsy descent himself, but his films additionally give us a fresh insight into Romani peoples and their way of life, which will certainly differ from common perceptions.

His musical and romantic drama, “Gadjo Dilo” [Eng. Title: The Crazy Stranger] was actually well received and it also won a César for its music. When I watched it for the first time however, I was pleasantly surprised to learn that apart from the music which is indeed mesmerising, the film is also very well written and directed, with engaging performances even by some of the cast members who’re not professional actors.

Storyline:
Young Stéphane travels around Romania in search of a singer he only knows by the name of Nora Luca, along with a cassette of one her songs that his dad in France had recorded years before his death. His wanderings take him to a small town where he meets Izidor, an eccentric but charming Roma at the time mourning the arrest of his teenage son. He takes Stéphane to his Roma village because he had nowhere to stay, but the following morning is frowned upon by village folk because of Stéphane’s‘s travel-weary attire and vagabond-look. But Izidor insists on keeping the “Gadjo” at his home, and promises them that he’ll teach him their ways and language. The funny thing is, neither can understand each other at first, and Stéphane assumes Izidor had promised to take him to meet Nora Luca one day, the singer he’s after. He stays put in the village and learns their language with some effort, and the people also begin to accept him gradually, including Sabina, a young woman who lived with her husband in Belgium before leaving him – she hates French speaking people, and had refused to help translate his words when he first arrived. But in time, she’ll grow fond of Stéphane. He will also understand the Roma way of life, sometimes through tragic events that happen around him…

The film is a wild and sensual journey into an exotic culture, and Tony Gatlif offers us a slice of Romani life with a slightly different emphasis from Emir Kasturica’s “Dom sa Vesanje” (Time of the Gypsies). At times hilarious – what with the language barrier and culture clash settings, it is also moving and I was particularly impressed with the actor playing Izidor (Izidor Serban). The lead actors also perform very well – Romain Duris is charming as the adventurous young Stéphane, and Sabina is turned into a lively and sensual Roma woman thanks to the beautiful Romanian actress Rona Hartner. Recommended Viewing..!

 

About the DVD:
I’d normally not recommend a DVD with hard-coded subtitles, least of all if it also happens to be in French. But having bought two versions of this film, it is this “2-Disc Prestige Edition” that I recommend on this occasion – the single disc edition with optional English and French subtitles is simply not worth its current price. At 113 minutes, the Prestige edition is also fifteen minutes longer than the standard edition.

But more importantly it is the 2nd DVD in the 2-Disc edition that makes this altogether special, as it includes a unique 82 minute concert arranged and directed by Tony Gatlif featuring Gypsy musical traditions and influences from different countries, and prominently featured amongst them is Flamenco. Called “Vertiges du Flamenco à la Transe”, if you’ve seen and enjoyed any of Carlos Saura’s meticulously choreographed Flamenco theme-based films (Bodas de Sangre, Flamenco), you will enjoy this even better because of its sheer spontaneity and raw energy – these men and women are passion incarnate with sparks flying all over the place, and this is no exaggeration. The music is fabulously rich and intoxicating to the extent that I wished the concert was at least twice as long.

Here’s a brief sampler I made from the magical 2nd disc featuring the concert:

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Amazon.fr – 2-Disc Edition Prestige
English Subtitles

 

 

The Nudity: Rona Hartner and Romain Duris

Rona Hartner and Romain Duris in Gadjo Dilo

Some memorable scenes of nudity from Rona Hartner and Romain Duris in Tony Gatlif’s wild and sensual Romanian drama, “Gadjo Dilo”.

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Claudia Gerini and others in “Com’è bello far l’amore” [2012 Italy]

It is entirely possible that Fausto Brizzi’s comedy “Com’è bello far l’amore” [Eng. Title: Love is in the Air] was intended as a comic relief for Italians concerned with the Eurozone crisis. Whatever the case, at least the film seems to have done well for itself at the box office. Perhaps recycling old stuff has this power to induce some sort of nostalgia for ‘happier’ times, regardless of us being able to see gags coming from a mile away.

Storyline:
Andrea and Giulia – married for twenty years, notice excitement in their sex life waning, and enlist the help of Giulia’s best friend and pornstar ‘Max’ for some advise. Genial chap that he is, Max obliges in the way only pornstars could, and goes further by also imparting some worldly wisdom to their teenage son that’ll help him succeed in his mating rituals. All’s well that ends well..!

This may be one of Brizzi’s lesser works, but that doesn’t stop him from taking a pot-shot at ‘art’ cinema, praising it for fulfilling a social need by injecting a desire among couples to have sex. The gag that follows might have had its origins in a pub-conversation, but is nevertheless mildly entertaining. The rest of the film however is outrageously clichéd and includes some rather cheesy tunes, save the rather pleasant title track by the legendary Patty Pravo – for long a thirstyrabbit favourite.

Amazon.it DVD Link
(2-disc DVD – one is a 3D version – just in case…)

 

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Katrin Cartlidge in Mike Leigh’s “Naked” [1993 UK]

On the eve of the London Olympics, and walking amidst the sea of union flags, nervous commuters, and hysterical BBC presenters who’ve by now pitched tent in every corner of town, it is not difficult to come across a noticeable outpouring of exuberance around you, quite unusual for ‘normal’ British behaviour. Don’t get me wrong, actually, I’m one of those really glad to have the games here, and would even love to see F1-racing through Charring Cross Road. Of course, I don’t really need to commute for work, nor do I physically need to visit the area to trade, much like some of those planning the event. I’m grateful as it is that they didn’t pack us all out of town like they did in Beijing. Besides, where there is chaos, there’s also chance of having some fun, and I have decided to embrace this chaos. Why else do you think the British are renowned for their sense of humour!

Works by British director Mike Leigh manifest this cherished sense of humour, he is after all one of Britain’s finest and inquiring film makers working today. His brilliant nihilistic drama “Naked” set a new standard for Danny Boyle and others to follow, in its depiction of gritty realism infused with sharp wit and a healthy dose of social satire.

Storyline:
It is actually not that relevant but here it is anyway – unemployed Mancunian Johnny arrives at ex-girlfriend Louise’s shared flat in London after getting himself into trouble back home. Johnny is introduced to her outrageous ‘wicky-wacky’ flat mate Sophie, and before long they hit if off. The following day however, he’s had enough of both the women and walks off into the night – his walkabout will take him past some unforgettable characters and situations among the remnants of Thatcherite Britain. He momentarily crawls back to Louise and Sophie’s flat after being beaten black and blue by some local thugs, and gets to meet their well-off landlord Jeremy who’d dropped by ostensibly to collect ‘rent arrears’. Throughout the film, we’ll see a constant comparison of these two characters – not quite dissimilar in the way they treat women, but while one’s is out of arrogance, the other’s is out of alienation, and it is the alienated Johnny who we will feel empathy for.

Watching this film is like opening the manhole of a blocked-up sewer – it will hit you with a blast even if you’re aware of what to expect. And I mean it in the best possible way, because it ultimately has a cleansing effect. It is ugly, bitter, and at times unpleasant, but it is also incredibly moving and a keenly observed study of relationships using humour. It is cinema, pure and beautiful. David Thewlis who plays Johnny is sensational, delivering a complex character with all its flaws and vulnerabilities quite magnificently. Lesley Sharp as Louise revels in the understated irony of her character, and Katrin Cartlidge who plays Sophie is the perfect foil to Thewlis’ bitter rantings. It is a shame that Ms. Cartlidge, a talented and gifted actress passed away at such an early age. As for Mr. Thewlis, remarkable as he is in this film, he is at times upstaged by Ewen Bremner (Trainspotting) who plays a frantic Scot that Johnny befriends during his walk across the city. Some of the scenes will stick with you for a while, and some scenes you will love to watch them again. A fine director’s masterpiece, Mike Leigh’s “Naked” is Highly Recommended Viewing..!

Amazon DVD Link

 

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Posted in Mike Leigh, United Kingdom | Tagged , , , , | 2 Comments