Vittoria Puccini in “La Vita Facile” [2011 Italy]

Lucio Pellegrini’s Italian comedy “La Vita Facile” [Eng. title: The Easy Life] is your typical run-of-the-mill entertainment feature replete with clichés and a rather mediocre script. I found it mildly humorous at times, but on the whole, apart from a good soundtrack by Gabriele Roberto, which features some cool songs and hypnotic African rhythms, there is really nothing much to talk about – even Pierfrancesco Favino’s presence fails to lift the film. Oh yes – there is of course a twist towards the end, but it shouldn’t matter as none of us would really care about these characters anyway.

Mario, a successful surgeon at a private hospital in Rome travels to Africa to join his best friend Luca, also a doctor at a remote Kenyan village. Just as Mario’s getting settled to life in the ‘third world’, his wife Ginevra arrives with some bad news – he’s being investigated for malpractice back home. We then learn Luca originally left for Africa after Ginevra decides to marry Mario instead – she however obliges him with a good-bye shag before leaving. Mario sends Luca and Ginevra together to Rome (despite knowing their history) to sort things out and take out some cash, and predictably Luca and Ginevra pick up from where they left off.



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Kseniya Rappoport in “La Sconosciuta” [2006 Italy]

It’s taken a while, but I’m so glad to have finally started the filmography of the great Giuseppe Tornatore here, one of the most poetic directors in cinema today. He doesn’t make too many film, but whatever he has done, are among the finest that modern cinema can offer. Who can forget his 1988 masterpiece, “Nuovo Cinema Paradiso” – perhaps the greatest film ever made. Neither can one his earlier gem that first gave us a glimpse of his genius – “Il Camorrista”, and nor the gems that followed, like “L’uomo delle Stelle”, and “Malèna” (that also catapulted Monica Bellucci to superstardom).

Tornatore made “La Sconosciuta” [Eng. Title: The Unknown Woman] after a gap of nearly five years, and boy was it worth the wait..! The story, the screenplay, the performances, not to mention the lyrical direction, and of course the superlative soundtrack by the legendary Ennio Morricone lifts this production to stratospheric heights. Kseniya Rappoport (credited as Ksenia Rappoport) playing the eponymous character looks twice the exquisite actress she already is, thanks largely to Tornatore and Morricone’s team-up – a partnership that has obviously worked wonders over the years. The film inevitably bagged a bucket-full of awards including numerous David’s the following year.

“La Sconosciuta” is the heart-rending story of Irena, a Ukrainian immigrant who goes through what can only be described as hell, whilst keeping faith that she could yet have a future. Sold to a thug called Mold (excellenty portrayed by veteran actor and director Michele Placido), and apart from being his plaything and punching bag, she’s also prostituted and forced to make babies, to be sold to discerning childless couples. After escaping from Mold, she tries to track the last of her babies, and infiltrates a household as a maid. But her past will soon return to haunt her…

The scene below is an example of Tornatore’s lyrical film-making. I didn’t want to include this in the main compilation as this one has no nudity. You may however click on the image to direct-download the sample clip.

Click the image if you want to sample Giuseppe Tornatore's remarkable visual poetry.

Click the image for an example of Giuseppe Tornatore’s remarkable visual poetry.

I had reviewed this film elsewhere earlier, but this is a reappraisal and the compilation made from my DVD. Even though the one I purchased came with no extras, the film is every bit worth it. Needless to say, Highly Recommended Viewing..!

Amazon.it 2-DVD Link [PAL]

The Nudity: Kseniya Rappoport, Claudia Gerini, and others

Kseniya Rappoport and Claudia Gerini in La Sconosciuta

Kseniya Rappoport gives an impressive performance as the ‘Unknown Woman’ in Giuseppe Tornatore’s gripping thriller, “La Sconosciuta”.

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Mira Gittner in “Das Zimmer” [2000 Germany]

Roland Reber is an interesting director in that he expects and actively encourages creative input from his cast to help shape a film around a theme. While this approach of ‘workshopping’ is more common in theatre, it is unusual for cinema. We have all heard horror-stories by actors about working with directors who keep tight control of their production (like say Antonioni, Bergman, Fellini, Ferreri or Fassbinder), but this is something you’re unlikely to hear from Reber’s close-knit cast and crew, many of whom have worked together for well over a decade. One can therefore reasonably assume that they get along rather well.

About his productions:
Ever since Roland Reber left the German Arts establishment to venture into making films, he and his core team have been running their own independent production company WTP International, making feature films and shorts without public grants or TV funding. I came across his work only last year, watching his 2009 film, “Engel mit Schmutzigen Flügeln” at a friend’s place. The film was daring and positively twisted – enough to want to explore Reber’s filmography. Along the way, I realised his cast are actually multi-faceted and an integral part of the crew as well – apart from acting, they take on tasks as diverse as editing, graphics, cinematography, production, even marketing and PR.

Their films are regulars in the festival circuit, but they certainly deserve to be seen by a wider mainstream audience because of two reasons – even though they have an unconventional method of filmmaking, their storytelling itself is as conventional and approachable as can be, and their themes and subjects, while twisted and at times even shocking, is nevertheless entertaining and of general interest to most people. I’ll start with one of Reber’s first full-length features, “Das Zimmer” [Eng. Title: The Room]. which can be classified as a psychological romantic-thriller, about exploring hidden fears and desires.

About the film:
The film borrows metaphors from Amduat, an ancient Egyptian text, as Sophie, an Egyptologist, narrates a personal experience to a student-intern – an experience that led her to a better understanding of not only the aforementioned text, but also her own self that was hitherto hidden behind ‘secret doors’. The events are told in flashbacks as Sophie gives an account of a summer job she took up during her student days.

After responding to an ad, Sophie is offered the job of looking after a property in a remote village for six weeks. The contract contained two preconditions – to ensure they stay in property during the night, and to keep away from one locked room. But upon arriving at the property, she’s surprised to find another guy Christoph there – he’d also been offered the same job. Realising the property owner had done this deliberately, she reluctantly accepts the fact that she’ll be spending the remainder of the days there with a stranger. As they settle in, bizarre things begin to occur in the house, which not only draw the couple closer, but also turns their attention towards the forbidden room. Perhaps someone is observing them from there – or perhaps it’s their own hidden rooms that need to be unlocked…

The film flows smoothly like a well written novel – in fact it could have worked pretty well as a novella. Sophie is played by Mira Gittner. Ms. Gittner also edited the film, and shares the cinematography credits alongside Reber. The sound track is uncomplicated and well done, adequately aiding the film’s flow. The only weakness I find is in the screenplay (or lack of). But overall, it’s an unpretentious but well constructed film, and Reber is honest in dealing with his subject. The DVD extras include some interesting interviews with Roland Reber and Mira Gittner about the shaping of the film, giving us an insight into their working methods and  the creative freedom his cast and crew enjoyed during the production. Recommended Viewing.

The compilation below was made from a Box set, but the film is also available on its own from Amazon.de.

DVD order link – Amazon.de:

Dialogue Sheet in English
(for those who can’t follow German)

Additional trailers link from official website:



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Ángela Carrizosa Aparicio in “Karen Llora en un Bus” [2011 Colombia]

Gabriel Rojas Vera’s brilliant debut feature, “Karen Llora en un Bus” [Eng. Title: Karen Cries in a Bus] is a simple yet beautiful study of a modern woman making her choices in life. The film is set in Bogota, but it could be any swiftly urbanising part of the world.

Karen decides to leave her well-to-do husband of ten years, she feels life’s passing her by, her aspirations and interests are but a fading memory after immersing into her role as home-maker. The film starts with a tearful Karen sitting in a bus with just her suitcase and handbag – she had already left home. She gets herself a room downtown and soon enough finds life very different to what she’s used to, from the Spartan amenities and furniture, to the difficulty in landing a job with no work experience to show. However, she doesn’t give up and refuses to seek help even during trying circumstances, after what little she had gets stolen. Karen, in her own words, has decided to repaint her life.

The refreshing part about the film is that Karen isn’t depicted as some kind of superwoman or martyr – she reacts and behaves just as anyone else from her social background might under the circumstances. But there is a virtue in her endeavour, even if she’s unsure of her purpose in life owing to low self-esteem. For a debut film, the script, also by Gabriel Rojas Vera, is pretty well written. We see some exceptionally talented young directors emerging from Latin America, and Colombia too seems to have its fair share. The cinematography is excellent, and the team seem to have made the best use of what little budget they had. Even the acting is convincing and well performed, especially the talented actress playing the protagonist, Ángela Carrizosa Aparicio. I’d be surprised if the film doesn’t pick up a few accolades along the way. There may not be any clever story to tell or cunning twists in the plot, but for me, this is without doubt the best Colombian film I’ve seen this year, and needless to say, Recommended Viewing.



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Ivonne Montero & co in “El Tigre de Santa Julia” [2002 Mexico]

Alejandro Gamboa’s 2002 comedy adventure “El Tigre de Santa Julia” [Eng. Title: The Tiger of Santa Julia] is a light-hearted interpretation of the life of the eponymous Mexican legend who gained reputation as a later day Robin Hood by robbing from other criminals and helping the poor. Only his gang consisted predominantly of women.

The film depicts ‘El Tigre’ José de Jesus as a reluctant hero, whose exploits were ’embellished’ by a journalist-friend to make him the larger than life character he became. It is funny, sexy and full of gun-slinging action – all good fun. And the bevy of beautiful women who fill the screen certainly don’t disappoint, it is like having a spicy Mexican barbecue on a warm summer evening. The soundtrack is pleasing with some smooth Cumbia tracks thrown in, but the stylised cinematography actually spoils the experience. Among the DVD extras the director explains his attempts to recreate a comic-book feel to the film, but I’m somehow not convinced of the end result. It also felt criminal to distort beautiful faces with such saturated colours (of course, I’m talking about the women).

Mine was also a letter-boxed DVD with the option to view in full-screen – so the quality is only average, but I’ve enhanced them slightly for these compilations. While my reason for buying the film was actually the rather dishy Ivonne Montero, it is nevertheless an entertaining film, and there are many other scenes that are just as sexy. I recommend this film simply for these reasons.

Amazon.com DVD Link


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