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Category Archives: Directors
Marina Anna Eich & Julia Jaschke in “Die Wahrheit der Lüge” [2011 Germany]
After the wacky and outrageous Engel mit schmutzigen Flügeln, Roland Reber returns to his pet theme of forcing people into unnatural surroundings and watching them respond. His eagerly anticipated “Die Wahrheit der Lüge” [Eng. Title: The Truth of Lie] could … Continue reading
Posted in Germany, Roland Reber
Tagged Antje Nikola Mönning, bondage, frontal nudity, german, german cinema, Germany, Julia Jaschke, leg spreading, Marina Anna Eich
2 Comments
Remembering Dusan Makavejev’s chaotic masterpiece “Ljubavni Slucaj” [1967 Yugoslavia]
When you think of flawed geniuses in cinema, you tend to remember and love them precisely because of those flaws. The flaws obviously are not in their undoubted technical or artistic skills – more like their thought processes, and their … Continue reading
Posted in Dusan Makavejev, Serbia
Tagged Balkan Cinema, black and white, Dusan Makavejev, frontal nudity, Serbia
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Martina Gusman in “Elefante Blanco” [2012 Argentina]
Argentinian Pablo Trapero, among the more talented young directors working in Latin America today, is renowned for his originality, cinematic eye, and uncompromising film making. From what I’ve seen so far, his screenplay and depictions are gritty, his topics typically … Continue reading
Camila Pitanga in “Eu Receberia as Piores Notícias dos seus Lindos Lábios” [2011 Brazil]
Beto Brant is a highly respected and awarded director from Brazil, and for his film, “Eu Receberia as Piores Notícias dos seus Lindos Lábios” [Eng. Title: I’d Receive the Worst News from your Beautiful Lips], he teamed up with another … Continue reading
Posted in Beto Brant, Brazil
Tagged Beto Brant, body painting, Brazil, Camila Pitanga, cunnilingus, extramarital affair, frontal nudity, groping, Gustavo Machado, leg spreading, Portuguese
6 Comments
Reflections on Jacques Rivette’s “La Belle Noiseuse” [1991 France]
Jacques Rivette is one of the very few nouvelle vague directors who is impossible to pigeon-hole – he has consistently experimented with cinema using different genres, techniques, and narratives, embodying the true spirit of French New Wave itself. At first … Continue reading