Paz Vega & others in Julio Medem’s “Lucía y el Sexo” BR720 [2001 Spain]

One could safely assume that among all of Julio Medem’s film, his beguilingly cryptic and sensual 2001 drama, “Lucía y el Sexo” [Eng. Title: Sex and Lucia] would probably be the most widely viewed among non-Spanish audiences. While some may have been drawn to its liberal sex scenes, many, at least from my neck of the woods, would relate the film to Spain’s stereotypical image of sun, sand and sea, and paella. Medem however, had gone the extra mile in ensuring these images are not merely used as props but essential elements to tell his poetic story, rich in symbolism.

Even though this isn’t my favourite Medem, it is nevertheless beautiful (and also, very feminine) cinema until his later Room in Rome. Here you have the symbolic mother, the lover, and the whore, intertwined, each playing an important part in connecting the story. And then you have ‘the island’, in itself is a metaphor, where everything starts and ends (and starts again). The kaleidoscopic qualities of the film will encourage you to discover something new every time you watch it, whether it was intended by the director or not. For this reason, the film occupies prime position in my library – within easy reach, so that it could be used on a whim. If you haven’t seen this film before, it is about time you did. Needless to say, it is Highly Recommended Viewing.

Here’s the gist: Lorenzo, a writer, meets Elena at an island while on holiday and they have sex – by the sea at night, on his birthday. He never hoped to meet her again, but fate had other ideas – he had after all just planted the seed for the rest of the story to unfold. He meets Lucía, a woman working in a restaurant opposite – she had already fallen in love with him and his work, and he loves her in return. Life now seems so tranquil that he now has nothing much to write about. But thanks to his friend, he’ll learn that he has a daughter (through Elena), and will attempt to bond and build a relationship with her without Elena’s knowledge or approval. A frisky child-minder named Belén will enter his life, and from then events spiral downward, until the main characters converge on ‘the island’.


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Paz Vega: Compilation 1
For many, the film will be remembered for the lovely Paz Vega. She plays Lucía, the girl madly in love with Lorenzo.

Paz Vega in Lucía y el Sexo

Some scenes of beautiful Paz Vega in Julio Medem’s “Lucía y el Sexo”.

Scene guide:
Lucía discloses her love to Lorenzo, and they return to his flat drunk, Lucía explores his house the following morning and they have sex for the first time. Contains some explicit sex scenes which were body-doubled by porn actress Diana Suárez.

 



Najwa Nimri:
The beautiful Najwa Nimri steals our heart as Elena – a character who’s probably the kindest woman in the planet. The first part of the scene is of her with Lorenzo, followed by her discovery that she’s pregnant, at which point she breaks up with her partner, through his secretary over the phone. The first scene is probably one of the most romantic underwater love scenes ever filmed. The second half has no nudity, but sexy nevertheless. The compilation as a whole showcases Julio Medem’s artistry.

Najwa Nimri in Lucía y el Sexo

Beautiful Najwa Nimri in this romantic scene from Julio Medem’s “Lucía y el Sexo”.

 



Paz Vega: Compilation 2
Some more scenes of the lovely Paz Vega playing Lucía. The scenes are more or less continuos – depicting Lorenzo and Lucía’s developing relationship. The first half is very ‘visual’ that require little description. The second half of the compilation (unfortunately forgot to include caps for these in the graphic) is of Lucía visiting the island on her own after she presumes Lorenzo is dead after an accident. She stay’s at Elena’s place, where she’s introduced to Carlos (Antonio had taken on another identity), also a tenant there. Elena tells Lucía that Carlos and she have a purely sexual relationship, and the fact that he had the biggest penis she’s ever seen, which was enough to make Lucía curious about Carlos. It includes some nude scenes by the beach, and Lucía receiving a sensual mud massage from Carlos. She however stops him from going all the way.

Paz Vega in Lucía y el Sexo

More sensual scenes of the lovely Paz Vega in Julio Medem’s “Lucía y el Sexo”.

 



Elena Anaya, Diana Suárez, and Paz Vega:
This compilation is made of several scenes involving Paz Vega (Lucía), a young Elena Anaya (Belén), and Diana Suárez (Belén’s porn-star mother):

Elena Anaya and others in Lucía y el Sexo

A young Elena Anaya and Paz Vega are the highlight of this compilation in Julio Medem’s “Lucía y el Sexo”.

Scene guide:

  1. When Belén tells Lorenzo that her mother’s a retired pornstar, living with her hunky former colleague, Lorenzo is intrigued and asked if she too fancied her mother’s boyfriend. Reluctant at first, she admits to flirting with him, and relates an incident one night, when she was masturbating in the nude to one of her mum’s porno movies. She hears Antonio (mum’s boyfriend) enter the room. The remainder of this scene is of Lorenzo building up that fantasy for his own writing material – his novel was gradually becoming autobiographical.
  2. Lucía who habitually reads what Lorenzo had written, is shocked and tries to comfort him in bed.
  3. Belén invites Lorenzo over to the child’s house – she’s baby sitting that night, and Lorenzo accepts. They are interrupted when the door opens, and tragedy unfolds (not shown here).
  4. Another fictional scene where the disturbed Lorenzo builds layers upon the relationship between Belén, her mother, and her mother’s lover. He is now ridden with guilt and self-hatred after the tragic event.
  5. Elena calls her former chlld-minder Belén, and invites her to the island where she lives, while Belén’s mum sunbathes in the nude and takes a shower by the balcony in broad view.
  6. Lorenzo pens a terrible end for his mother-daughter characters (Belén and her mum).

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Charlotte Gainsbourg in “Antichrist” BR1080 [2009 Denmark, Germany, France]

I’ve had the film for a while but had been hesitant about writing about it for a number of reasons. It is one of the most depressing films I’ve seen in a while, and I really hated the idea of having to watch it again before writing the review. It is also a controversial film that depicts scenes of sexual violence and mutilation, in addition to explicit sex. Besides, it is a film that is hard to recommend to anyone, unless they’re used to such imagery and subject matter.

I ultimately realised I’m being unfair to Lars von Trier‘s honest attempt to explore extreme grief due to familial loss, and the accruing mental illness due to perceived guilt, and after a lot of deliberation, decided to make this post.

His 2009 film, “Antichrist” has had wildly mixed reviews, and caused a sensation when von Trier was nominated for the Golden Palm at Cannes that year. Even in IMDB, reviewers try hard to read too much into the film. Yes there is symbolism, but as far as I can see, it is a simple story dealing with trauma, and how it puts even committed relationships to the test. The film itself is beautifully done, with some exquisite cinematography and challenging interpretations of the main characters – the husband and wife duo, played by Willem Dafoe and Charlotte Gainsbourg respectively.

 


Collage 1:
There is only brief nudity in this scene but it is beautifully made, even if it is a sad one. Contains explicit imagery.

Charlotte Gainsbourg in Antichrist

A beautiful but sad scene at the start of the film, “Antichrist”.


Collage 2:
Charlotte Gainsbourg from the film. The explicit scenes use body-doubles, both for Ms. Gainsbourg and Mr Dafoe. To put your mind at ease, no clitoris was injured during the making of this film!

Charlotte Gainsbourg in Antichrist

Some of the scenes in Antichrist are intense and disturbing, apart from being explicit.

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Martina García in “Rabia” [2009 Mexico, Colombia, Spain]

Sebastián Cordero’s 2009 film, “Rabia” [Eng. Title: Rage] is an unusual and original melodramatic thriller. At times it’s slow moving even by my own standards, but it is pretty well made, considering most of the film happens inside a mansion. I hate giving away the plot of thrillers, so I’ll just give a brief outline of what the film’s about.

José and Rosa are lovers, both immigrants, working in Spain doing the kind of work usually set aside for immigrants – he’s a construction worker, and she’s a live-in domestic servant for an elderly couple. When José gets fired for getting into an altercation with his boss’ friend, an argument with his boss ensues, and José accidentally kills the bugger. Wanted for murder, he hides in the mansion where Rosa works, unbeknown to her or anyone else. His logic – he doesn’t want the Police to pester Rosa, and the less she knows of his whereabouts, the safer for her. During this time Rosa also discovers that she’s pregnant. Rosa is played by the very cute Martina García – keep an eye as there’s more to come from this beautiful Mexicana in this blog.

In the only nude scene in the film, Rosa is worried she may have lost her baby, after noticing some bleeding while taking a shower. It’s only a brief scene but someone’s got to record it, right..? 🙂

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Alba Rohrwacher in “Cosa Voglio di Più” [2010 Italy]

Director Silvio Soldini has just made a fan out of me, and his film “Cosa Voglio di Più” [Eng. Title: What More do I Want] has definitely made me eat my words about contemporary Italian cinema being rudderless. This is probably the best film I’ve seen this year, and would be surprised if it doesn’t pick up any awards along the way.

Anna, an accountant, is living with Alessio, who runs a department store. He loves her deeply, and wants to take their relationship to the next level, i.e., wants to have a child of their own. Anna first sees Domenico, a married man with children, at an office party – he works for the catering firm used for the party. When he casually invites her for a cup of coffee one day, Anna agrees, allowing herself some indulgence after a good day at work. Despite knowledge of their circumstances, they embark on an affair, and find themselves unable to control the course of events.

True, several films had been made with this theme, but what sets this apart is the very realistic manner in which it builds their relationship. The screenplay and direction is the result of acute observation of human behaviour. The director develops the characters gradually, sometimes using seemingly irrelevant details, until we get to know them quite intimately, and the infrequent silent scenes are used for the protagonists to portray the complexity of their predicament as they embark on this dangerous journey. The film firmly establishes that these are normal people who have to deal with normal day-to-day problems, and who are not in a position to ‘afford’ their indulgence. Whether we agree with their choice of action or not, it is depicted objectively and in a non-judgemental way. And the strong technical and creative team that Mr. Soldini had at his disposal, notably editing and set design, certainly helped in producing this flawless little gem. It is for these reasons that I think this is an important film.

The unassumingly sexy Alba Rohrwacher plays Anna quite brilliantly in the film, as does the well respected actor who plays Domenico, Pierfrancesco Favino. The passionate sex scenes in the film are plainly essential to advance the story, and it is great to see that there is genuine chemistry between the actors playing the lovers. I originally saw a screener version of this film, and promptly had to order a DVD (from which these scenes were cut). Needless to say, Highly Recommended Viewing..!

Amazon.it DVD Link


Compilation 1:
Made of two scenes. First is when Anna and Alessio have their inaugural shower together in their new cubicle. The second is when Anna and Domenico finally manage to make time and book a tacky Motel for their first sexual encounter.

Alba Rohrwacher in Cosa Voglio di Più

Alba Rohrwacher in a highly charged sex scene from "Cosa Voglio di Più".

 


Compilation 2:
Made from four different scenes of Anna and Domenico together. There is always an air of tension in these scenes, beautifully portrayed by Alba Rohrwacher.

Alba Rohrwacher in Cosa Voglio di Più

More erotically charged scenes of Alba Rohrwacher from "Cosa Voglio di Più".

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Amaia Salamanca in “Fuga de Cerebros” [2009 Spain]

Fernando Gonzalez Molina’s 2009 film, “Fuga de Cerebros” [Eng. Title: Brain Drain] is possibly the worst Spanish film I’ve seen in a long time.

It seems to have drawn inspiration from films like American Pie and Revenge of the Nerds, but at least those were funny. This one desperately tries to be provocative but ends up looking in poor taste. I think this film is aimed at teenagers who usually sit in the back row of a classroom. Whatever the case, do yourself a favour by avoiding this – you’ll save yourself some unnecessary anguish of having wasted two hours of your life.

A geeky bloke is madly in love with his childhood friend Natalie, only she doesn’t notice it. He and his weird group of friends follow her all the way to Oxford where she’s studying Medicine, by faking their grades and papers. During their stay, Natalie catches him in a compromising situation with a corpse from the morgue – she even asks her psychologist dad to help cure his necrophilia! And after all this, she ends up accepting the guy’s love during the film’s last minutes.

The only scene worth watching is here below – I’m merely saving you guys the effort of having to fast forward to this bit. The guy fantasises how he would get back in Natalie’s good books after being caught on top of a dead body. Natalie is played by Amaia Salamanca. I’ve also added at the end a few seconds of the guy’s friend posing with a dead woman in the morgue. By the way, the scene was cut from a DVD, so at least the quality is good.

Amaia Salamanca in Fuga de Cerebros

Probably the only scene worth watching in the whole film, "Fuga de Cerebros", when Amaia Salamanca brandishes her breasts.

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