Sonja Richter in “Elsker dig for Evigt” [2002 Denmark]

Susanne Bier’s “Elsker dig for Evigt” [Eng. Title: Open Hearts] is an interesting study of love and relationships, and how they could be influenced or complicated by other feelings such as guilt. It is a terrific piece of drama, made even powerful by some convincing performances by all the sparse but impressive cast.

Storyline:
Cecille and Joachim are about to get married – they’d been living together for a while, and are truly in love. But their world is turned upside down when Joachim has a nasty accident that leaves him paralysed neck-down. By sheer coincidence, Niels (well played by Mads Mikkelsen), a doctor at the hospital where Joachim is recovering, also happens to be the husband of Marie (also well played by Paprika Steen) – the driver of the car that caused the accident. A remorseful Marie and Niel feel it’s their duty to console the devastated CecilleMarie even encouraging Niels to meet and talk to Cecille whenever she felt depressed (which is often), because Joachim refuses to see Cecille and wants to break the engagement so that she could move on and start a new life. These meetings instead lead to a full-blown affair between Niels and Cecille, complicating things further for everyone.

The screenplay and characterisation are excellent, and the cast give a commendable performance, including the actress playing Cecille, Sonja Richter. The soundtrack is appealing, but I’m however not sure about the cinematography – doesn’t help that some scenes are too grainy in my DVD. That may well have been the director’s intention, but I doubt if it was really necessary. This is also classified as a Dogme 95 film, but having seen only a handful of films adhering to this movement and my own mixed feelings towards it, I shall refrain from discussing it for the moment, but those wanting to know more may check out this Wiki link. The DVD extras and commentary from Susanne Bier give us an insight into the director’s thinking, and also the reasons for removing some of the scenes – which I completely agree with. Either way, the final cut of “Elsker dig for Evigt” is a great piece of drama, with an apt ending, and therefore, Recommended Viewing.

Amazon DVD Link (excellent deal going)


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Joselin Waleska in “Ladies Mafia” [2011 Colombia, Mexico]

Colombian director Oscar González’s film, “Ladies Mafia” is a comedy drama about three girls who unwittingly find themselves in possession of a stash of cocaine, and who against common sense decide to make themselves rich by selling it to a trafficker directly. They’re helped by another female friend – a street smart kick boxer.

I’m not going to elaborate on this nonsense of a plot – let’s just say it was made for an undemanding audience. Almost every aspect of the film is average or less, but at least they managed to author it decently on disc. Of course, one would only sit through these for the exotic imagery, nothing more..!

Amazon.com DVD Link


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Jasmine Trinca in “Il Grande Sogno” [2009 Italy]

Michele Placido is a fine actor and also a pretty good director. He made the semi-autobiographical drama, “Il Grande Sogno” [Eng. Title: The Big Dream] recounting his early years as a young police officer in 1968 Milan amidst momentous world happenings.

Storyline:
Nicola (Placido’s alter ego), a fresh police officer from a poor background in southern Italy is assigned to infiltrate a left-wing student group from a privileged background in Milan to thwart unrest, and begins to question the state’s rationale. In the process he falls in love with Laura, one of the students from the group. He also joins a drama school to pursue his passion. But when his police identity is discovered, he becomes an object of hatred among the student group – and his good intentions go unacknowledged.

It had the potential to have been a memorable film – promising young actors, interesting storyline, pretty good cinematography, and a decent soundtrack too. What lets it down is the screenplay and characterisation – they loose focus pretty quickly, what we see are scattered images from an era that not only looks manufactured, but also devoid of purpose – and the film meanders aimlessly. While some of the cast give a pretty good account of themselves, notably the actress playing Laura, Jasmine Trinca,  the protagonist’s love interest, the rest are less than memorable – they possibly had very little to work with.

Amazon.it DVD Link


 

The Nudity: Jasmine Trinca and Laura Morante

Jasmine Trinco in Il Grande Sogno

Charismatic Jasmine Trinca gives the best performance among all the cast, and also sheds her clothes in a couple of scenes from Michele Placido’s “Il Grande Sogno”.

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Najwa Nimri & Kristel Díaz in “Los Amantes del Circulo Polar” [1998 Spain]

My favourite Julio Medem film happens to be a love story – or a fantasy even… 🙂
“Los Amantes del Circulo Polar” [Eng. Title: Lovers of the Arctic Circle] is quite possibly as intense as love stories get. Outwardly like all his films, it tells a straightforward tale, but what makes it special is the multiple layers hidden within it, some of which are so deep that it makes you marvel at Medem’s insight into human nature – I mean, he was barely forty when he wrote this, but there’s a lifetime’s wisdom stacked within it. What is even more breathtaking is the manner in which he had translated this into film, which is, and I dread to use the phrase, almost perfect.

One might think I’ve begun to see things after repeat viewings, but I’m not the only one who feels this way. And yes – you certainly have to watch it more than once to experience its inner beauty because the first viewing will be consumed by the film’s exterior. Gonzalo Berridi’s breathtaking cinematography, the impressive editing that goes with it, the haunting soundtrack, and not least the incredibly beautiful people in it, young and old, see to that. The film’s not just a work of visual art, but an intellectual exploration of ‘love’, ‘destiny’, and… ‘circles’!

Storyline:
Delightfully whimsical but truly deep, Medem uses palindromes and patterns to propel his story – Otto’s son is Alvaro and another Alvaro’s son is Otto. Otto loves Ana, both names palindromes. What is chance and what is destiny – little Otto and Ana meet under the sweetest of chances – Otto while chasing a ball and Ana running away from her mother – upset to learn her father had just died in an accident. They never stop loving each other since that moment. But the same Otto and Ana, years later sit almost next to each other without even noticing, ironically at a plaza in Madrid historically renowned as a meeting place. Medem uses the circle as a metaphor, like the Arctic circle where the sun never sets i.e., timeless, and where Otto reunites with Ana – they’d now created their own little circle of space just for themselves. Or cyclical events like Otto becoming a pilot, just like the other Otto years before. Otto also jumps off a plane, like his older namesake – both end up meeting a Spanish woman. Medem obviously enjoys telling us stories this way, as we can see this circular pattern repeated in his later film “Lucía y el Sexo” too. Apart from these surreal and poetic explorations however, there is a poignant story to tell, that of Ana and Otto’s quest to somehow try and find a way to live together – for society will simply not allow their relationship – they’ve become step-brother and sister after Otto’s divorced father marries Ana’s widowed mother. He does this beautifully.

I couldn’t resist including this scene to sample the genius of Julio Medem, his sense of humour, and this simply brilliant piece of editing. Ana knows that Otto is on his way to see her. She is no longer waiting for a happy coincidence, which otherwise was what her story until then. Just watch this…

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Among the DVD extras is a mundane looking ‘Making Of’, but which manages to at least give us a glimpse into Medem’s thought process. The interviews with some of the stars also showcases Medem’s remarkable genius as a director, because while they’ve rightly seen things from their viewpoint, what the film achieves as a whole is a couple of notches higher. As for the DVD itself, it is crying out for a remastering. The film also appears in the Julio Medem box set, but the quality is poorer than the edition sold individually, and that’s what I’d recommend. If you can afford to buy only one Julio Medem film in your entire life, let that be “Los Amantes del Circulo Polar” – Highly Recommended Viewing..!

Recommended Amazon DVD Link

 

The Nudity: Kristel Díaz and Najwa Nimri
There’s only brief nudity, but it is such a magical film that it needs to be recorded here.

Kristel Diaz and Najwa Nimri in Los Amantes del Circulo Polar

Najwa Nimri and Kristal Díaz appear nude in two brief scenes in Julio Medem’s magical masterpiece.

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Emma Suárez & Martina García in “La Mosquitera” [2010 Spain]

It is films like these that made me fall in love with Spanish cinema. Catalan director Agustí Vila’s psychological drama “La Mosquitera” [Eng. Title: The Mosquito net] is a portrait of a dysfunctional albeit well-to-do family. It is an exceptionally well written and directed film, and to see that it had managed to win only a handful of relatively minor awards is disappointing – must have been one of those that slip through the net each year. Although without a doubt, this is the best new Spanish film I’ve seen all year. Surprisingly, this is only Agustí Vila’s second full-length feature. I hope he gets to write and direct more such films in future.

Storyline:
Alícia just can’t communicate with husband Miguel. She nevertheless forces him to put up with their teenage son Lluís’ eccentricities, and accumulating pets from shelters is just one of them. Lluís doesn’t talk much either, but at least his mother manages to connect with him. María, Miguel’s mother suffers from Alzheimer’s and husband Roberto is finding it hard to cope – he’s generally foul tempered and wants to commit suicide. Ignored by his family, Miguel is drawn to the new housemaid Ana, and when Alícia wants some time off and asks Miguel to leave, he embarks on an affair with Ana. Add to this, Alícia’s sister, a single mum, also has serious issues with her young daughter. Everybody wants to change, but find it easier to be in denial than face the truth.

The DVD extras include some deleted scenes which give us additional insight into the characters, but the final cut is still good as it is.

The performances by all the actors are excellent; beautiful as ever Emma Suárez who plays unhappy housewife Alícia is melancholy personified, Geraldine Chaplin who plays the ailing María doesn’t say a single word, but is as convincing a portrayal as can be. Ana the migrant maid is played very well by gorgeous Martina García, one can see her maturing into a very serious actress. But the best performance had to be from Eduard Fernández, who plays beleaguered husband Miguel with admirable restraint. The cinematography is of very high calibre, but it is the exquisite screenplay and direction by Agustí Vila above all else, that makes this film a gem. Needless to say, Highly Recommended Viewing..!

Amazon DVD Link


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