María León in “La Voz Dormida” [2011 Spain]

Having enjoyed watching his previous two feature films, I’m surprised Benito Zambrano hasn’t made many more. There’s great deal of attention paid to composition and lighting in his films and he certainly wants his audience to remember the scenes long after leaving their seat. Just in his latest prison drama, “La Voz Dormida” [Eng. Title: The Sleeping Voice] – some of the scenes are truly memorable. But my favourite however remains his debut feature “Solas”, for its exquisite screenplay and direction, not to mention the strong performances all around – do not miss it if you get an opportunity.

This film too has some exceptional performances from its main cast, particularly from the talented and beautiful newcomer María León who deservedly won a Goya for the best new actress of the year. The film won further awards for original score and supporting actress. Needless to say, Recommended Viewing..!

Amazon.es DVD Link


Storyline:
Set during the aftermath of the Spanish civil war when Francisco Franco’s regime systematically purged remnants of the erstwhile left-wing republicans by imprisoning and executing people connected with communists, we follow the fate of Hortensia, the imprisoned and pregnant wife of a communist commander (ably played by Inma Cuesta). Her younger sister Pepita arrives in Madrid to seek help in whatever way she can to get her released, but inevitably gets involved with the communists when she couriers messages between Hortensia and her husband in hiding. Hortensia’s fate is nevertheless sealed and hers will be one of several executions of men and women held after mock trials during the turbulent period. Pepita’s only solace will be a reminder of her sister in the form of Hortensia’s newborn baby.


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Scenes from “Napoletans” [2011, Italy]

OK this is one of those entries that occasionally need to make their appearance here…

First-time director Luigi Russo’s comedy, “Napoletans” [Eng. Trans: Neapolitans] is a typical Christmas pudding, something that would never form part your staple, but just okay once in a while. It has those familiar ingredients that apart from inducing nostalgia, makes you think of seriously hitting the gym come new year. Nothing may be new here story or comedy-wise – it’s just an excuse to forget about the financial crisis for an hour and a half. I’m not going to bother with a storyline, all I’ll add is that part of the film’s plot is straight out of “L’Infermiera di Notte“. Now, let’s move on shall we…

Amazon DVD Link


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Isabelle Adjani & co in “L’Été Meurtrier” [1983 France]

I’m not sufficiently acquainted with the work of Jean Becker to comment here yet, but of the ones I’ve seen, his relatively recent film “Dialogue avec mon Jardinier” remains my favourite. His 1983 film, “L’Été Meurtrier” [Eng. Title: One Deadly Summer] is a mystery drama, which becomes apparent only around the halfway mark. It draws on elements across diverse genres – comedy, family, erotica, exploitation, and revenge, to name a few. But what’s outstanding on the part of Becker is the manner in which he put them all together without making the film look incoherent, thanks to a fine screenplay (interestingly using characters to narrate parts of their story in background), crisp editing, and some excellent performances by the lead actors.

Notably that of Isabelle Adjani, truly one of the most beautiful and talented actresses in cinema. Record holder of the most César Awards won by an actress, she’s a quintessentially French icon forged from Algerian and German parentage – how exotic is that! And ironic too, considering the heated debate as ever on immigration in the current French Presidential campaign. Ms. Adjani won a César for this film too, her second of five to date, playing a disturbed nineteen year old looking for revenge. What she brings to the screen cannot be directed, it had to come from within. But fortuitous though it might be, it required a director of Becker’s class to capture that performance in the best possible manner to help narrate his story. Which he does admirably. Needless to say, Recommended Viewing..!

Amazon.fr DVD Link [PAL]
(Having purchased two other editions prior to the one above, I wouldn’t recommend anything else.)


Storyline:
Set in the 1970’s, Eliane is the local village belle somewhere in the south of France. She arrived with her parents when little, and with rumours about their history floating, the village-folk have always looked down upon her family. But that doesn’t get in the way Eliane’s determination to become the most desired woman around, and she succeeds easily. But beyond her winning looks, she has a burning urge to seek revenge on the people responsible for her mother’s rape (and her resultant birth). She feels her very existence is based on a violent act and this is her way of coming to terms with it. After learning of a piano in the household of local mechanic and part-time fireman Florimondo aka ‘Pin-Pon’, she thinks she had discovered one of the perpetrators. She sets her cross-hair on Florimondo, his son, and wins him over in no time before moving into his family home, even getting married. But things take an unexpected turn, and ALL is not what they seemed at the beginning…

Virginie Vignon, Isabelle Adjani, Maria Machado, and Evelyne Didi in L'Été Meurtrier

Isabelle Adjani gives a stirring performance as a disturbed nineteen year old seeking revenge in Jean Becker’s 1983 mystery drama, “L’Été Meurtrier”.


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Iwona Petry in Andrzej Zulawski’s “Szamanka” [1996 Poland]

Andrzej Zulawski raked up controversy (again) through one of his later works back in Poland, in the dark psycho-sexual drama “Szamanka” [Eng. Trans: Female-Shaman]. Sometimes you wonder what makes a director pick up disturbing material to work with, especially if he doesn’t come across as a tormented soul – I mean, you don’t expect him to be if he’d just fathered a child with someone like Sophie Marceau, his long-term partner. To call this film ‘intense’ is a bit of an understatement – it is a vigorously fetishistic treatment of a dark fantasy – of primeval mysticism, lust, and possessiveness.

Storyline:
Michal, a university anthropologist meets a mine-engineering student looking for a place to rent – he’s subletting his brother’s apartment – and they have casual sex within an hour of meeting. They already have partners, but this encounter would become an obsessive habit and upset the apple cart. Michal and his team have unearthed a perfectly preserved bronze age shaman, he is fascinated by it and spends a lot of time understanding the way the shaman met his end – apparently it was voluntary. Michal sees in his lover (she isn’t given a name – people call her ‘the Italian’ because she worked in an Italian restaurant) traits of a female-shaman and develops a growing fascination with her, more specifically her sex – he implies on more than one occasion that she’s nothing but sex on legs, yearning to be satiated, by him. He moves in to her apartment but one day realises she will be his death. By drawing parallels between Michal’s twin-obsessions – his work and the girl, Zulawski is trying to define wilful self-destruction, the same way the mummified shaman must have met his end.

The film makes no apologies for its depiction of erotic scenes – in fact it revels in it. But at the same time, it technically manages to stay within the confines of mainstream acceptance. A lot of what’s going on is implied, but enough to raise a few eyebrows. Several techniques from his earlier films like “Possession” and “Le Femme Publique” are also applied here, to varying degree of success. There is also this intense chemistry between the lead actors that is not often seen in his earlier films, they’re completely comfortable in each other’s presence, which helps deepen their characters’ intimacy. This is another ‘marmite-like’ confrontational and unforgettable film from the Polish master of controversy. It is a disturbing yet incredibly intimate portrait of an obsessive and erotically charged relationship, and therefore, Recommended Viewing..!

However this DVD is hard to come by, and the ones available are letterboxed and not exactly cheap. But if like me you can’t wait for a remastered anamorphic release, you may check one out here:
ebay DVD Link



 

The Nudity: Iwona Petry and Agnieszka Wagner
Many of the scenes need no descriptions as they’re plainly visual.

Iwona Petry and Agnieszka Wagner in Szamanka

Iwona Petry is intimate in several scenes as the lustful ‘shaman’, while Agnieszka Wagner also makes a brief nude appearance in Adrzej Zulawski’s psycho-sexual Polish drama, “Szamanka”.

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Posted in Andrzej Zulawski, Polish Cinema | Tagged , , , , , , , | 5 Comments

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