Maria Panourgia & Sofia Georgovassili in “Mavro Livadi” BR1080 [2009 Greece]

I’m only beginning to discover Greek cinema, but whatever I’ve seen so far is refreshing (and educational too – for e.g., now I know a Janissary is not a union of workers in the cleaning profession but a Christian boy involuntarily conscripted into the imperial guards of the Ottoman empire, as a kind of ‘blood tribute’ paid by non-Muslim families).

Vardis Marinakis’s Greek drama “Mavro Livadi” [Eng. Title: Black Field] is an unusual romance set in late medieval Greece, when it was apparently part of the Ottoman empire. A Janissary escapes from his masters and ends at the doorstep of a remote convent-nunnery, exhausted and badly wounded. As part of her religious commitment, the Mother superior takes him in and treats his wounds, but also stays loyal to the empire by informing the authorities that they have held a deserted Janissary – the reward would be useful in keeping the convent running. A young nun however falls in love with him, and not only does she help him escape, but also follows him into the forest – a return to nature for both the characters. But the nun has a little secret too – she is a (Christian) boy placed in the convent to avoid being conscripted as a Janissary..!

The film is beautifully made with some stunning cinematography and locations, like the Palamidi castle where many of the scenes were shot. And a lot of thought had gone into the costumes and art direction, which transport us to a Byzantine monastery quite vividly, which gives the film a Gothic feel. If nothing else, it is a substantial visual feast worth savouring, which in Blu-ray is even more sumptuous.



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Martina Gedeck & Gabi Fleming in “Das Leben der Anderen” [2006 Germany]

Florian Henckel von Donnersmarck’s debut feature is what one would call an ‘unqualified success’. “Das Leben der Anderen” [Eng. Title the Lives of Others] bagged a bucket-load of awards the following year including a BAFTA and an Oscar for best foreign language film.

Set during the last decade of East Germany, it captures the extraordinary lengths to which the government went, to snoop on people who it thought posed a threat to the system. Intellectuals were singularly targeted, and every aspect of their personal lives watched, listened, and scrutinised.

Acclaimed playwright Georg Dreyman (Sebastian Koch) is suspected of having political links with critics of the regime, and the Stasi decide to keep an eye on him. At around the same time, the Minister for Culture falls for Georg’s partner and actress, Christa-Maria Sieland (Martina Gedeck). He wants Georg to be ‘found out’ so he can keep Crista-Maria for himself, and asks the Stasi to wire-tap their apartment and listen to their every conversation. Hauptmann is the agent appointed for the job, and he takes up this assignment with customary professional enthusiasm. But the more he watches and listens to them, the more he is fascinated by them, and the more he sympathises with them. On occasions he even goes out of his way to record an alternate version of events in his day book, to protect them. The film follows events until the beginning of unified Germany. Apart from the political intrigue and suspense, there is great human drama in this simple and beautiful film. Ulrich Mühe who plays the Stasi agent Hauptmann gives a powerful performance, as does Martina Gedeck, who portrays Christa-Maria. The strength of the film lay in its screenplay, clear direction, and strong performances. Needless to say, Highly Recommended Viewing..!

Amazon DVD Link

 

The Nudity: Martina Gedeck and Gabi Fleming
The film contains brief scenes of sex and nudity. The DVD extras contain some deleted footage that also features nudity.

Martina Gedeck and Gabi Fleming in Das Leben der Anderen

Brief nude scenes from Martina Gedeck and Gabi Fleming in the award-winning “Das Leben der Anderen”
aka “The Lives of Others” (2006, Germany).

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Valeria Solarino & Claudia Gerini in “Viaggio Segreto” [2006 Italy]

Roberto Ando’s melodrama, “Viaggio Segreto” [Eng. Title: Secret Journey] attempts to achieve a lot. It’s ambitious in its scope but somehow fails to get there, and that’s mainly because the story isn’t fully developed. There is plenty of suspense, and it also builds up like a thriller, but nothing nearly substantial emerges towards the end.

I think Ando visualised grand scenarios and tried to patch-up a story around it. There’s the haunting imagery of the protagonist recollecting events from the past as he walks through his forlorn childhood home, and the tense but deeply loving relationship between brother and sister pointing to a common harrowing past. All this is fine, but when it gets to explaining what happened, it falls way short. The film by itself is beautiful to watch, the cinematography is sumptuous, even if I have reservations with the lighting, Marco Betta’s soundtrack is mesmerising, and the Billie Holiday song has been used effectively to recreate the brooding atmosphere. And of course, the film is filled with well dressed (and undressed) beautiful people. Shame – it had the potential to be a great film! But I must admit the film lingers in your mind long after the credits, and at least for that, this is Recommended Viewing!

Amazon.it DVD Link

 

Leo, a psychoanalyst in Rome, receives a letter from the priest in his childhood town in Sicily, about his family home being put up for sale. The last time he was there, he was a thirteen year old boy, and his sister Ale, seven. They left Sicily after her mother gets killed under strange circumstances, and the father is imprisoned for manslaughter. The letter brings back memories and he decides to pay a visit after twenty years, with the intention of perhaps even making an alternative offer to the estate agent. The visit will open up dark secrets hidden away in Leo’s consciousness and bring it to the fore. The same happens to Ale, as they finally come to terms with their past.

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Elizabeth Cervantes & others in “El Infierno” BR720 [2010 Mexico]

Luis Estrada has followed up his hugely successful and highly acclaimed social satire “Le Ley de Herodes” with his latest film, “El Infierno” [Eng. Title: Hell]. Even if this story is set in modern day Mexico, both the films deal with crime, corruption, unaccountability and the general ineptness of law. Like its predecessor, El Infierno is a dark comedy drama reminding viewers of the biggest issue raging in their country today – organised crime and mindless violence, and more importantly the system that enables this to happen.

Benny returns to his home town in Mexico after twenty years – he’d just been deported from the US. He returns to sees the place has hardly developed at all – and even worse, overrun by drug-traffickers fighting for turf, much like in northern Mexico today. He hears more bad news – his little brother is dead – he was involved with one of the gangs. While he initially tries to keep away from the business, he gets invited (the poor chap didn’t have a choice) to takes his dead brother’s job by the person for whom he worked. As irony would have it, Benny goes on to become an accomplished assassin himself, and wealthy beyond his wildest dreams. But like in everything in life, there’s always a price to pay..!

Brilliantly written and directed by Estrada, this film couldn’t have been better timed – it was released during Mexico’s bicentennial year, to remind its people the real state of affairs. It’s technical values are equally impressive – be it cinematography, editing, or the awesome soundtrack. As are the performances by all the actors in the film, including the perfectly cast Damián Alcázar who plays Benny. Several actual news events that one would never get to see unless they’re either the victim or perpetrator, are enacted in a gruesomely realistic manner, albeit with a touch of black humour. All I’d say is, if you can understand Spanish, you should give this a go. Highly Recommended Viewing!

Amazon.com DVD Link

 
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Belén López & Marina Gatell in “Intrusos en Manasés” [2008 Spain]

I’m not a great fan of spooky films, but decided to watch one, if only to catch a glimpse of the dishy Marina Gatell – Juan Carlos Claver’s film, “Intrusos en Manasés” [Eng. Title: God’s Forgotten Town].

Watching the film only reminded me why I don’t enjoy horror films – the plot usually involve people behaving stupidly by courting trouble for no rhyme or reason. Paranormal magazine journalist Julia and her team of three visit a remote village called Manasés on one of their assignments. Apparently the entire inhabitants of the village disappeared after a Nazi plane transporting to Berlin an ancient South American ‘mystical’ relic that would have enabled them to win the war crashes nearby, thwarting Hitler’s plans – now that’s what I call providence!

In the village, buildings appear intact but not a living soul’s in sight. After arrival, the crew are bedevilled by poltergeist activity and frequent terrorising by Nazi ghosts (and it is funny when one of the guys still doesn’t believe that there’s anything untoward happening). A young girl-ghost finally comes forward to help save the beleaguered crew. I’m over-simplifying events, but the film is nevertheless rubbish, even if it is technically well made.

Anyway, the brief compilation below is of Julia having a bath, played by Belén López, and Syra the video cameraman, changing into something comfortable – Syra is played by Marina Gatell.

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