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Category Archives: French Cinema
Teresa Madruga in “Dans la Ville Blanche” [1983 France, Portugal]
Some people talk of European cinema as if it is some kind of a monolith, or a method of film-making in itself. While it certainly isn’t, there is something in the cinema made here that is unique to the region, … Continue reading
Posted in Alain Tanner, France
Tagged Alain Tanner, cunnilingus, french mainstream cinema, frontal nudity, Portugal, Teresa Madruga
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Emmanuelle Béart in “Histoire de Marie et Julien” [2003 France, Italy]
Jacques Rivette is definitely one of the influential directors of the Nouvelle Vague, even if he’s probably lesser known than the likes of Godard and Chabrol outside of France. His style is telling a story through observation – you get … Continue reading
Posted in Emmanuelle Béart, France, Jacques Rivette
Tagged Emmanuelle Béart, france, french, french mainstream cinema, groping, Jacques Rivette
4 Comments
Lola Créton in “Un Amour de Jeunesse” [2011 France, Germany]
Actress-turned director Mia Hansen-Løve’s romantic drama, “Un Amour de Jeunesse” [Eng. Title: Goodbye First Love] is a subdued affair, almost Scandinavian in style. The film is ambitious in scope even if it is aimed at a predominantly young-adult audience – … Continue reading
Posted in France
Tagged france, french, french mainstream cinema, frontal nudity, Lola Créton, teenage nudity
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Isabelle Adjani & co in “L’Été Meurtrier” [1983 France]
I’m not sufficiently acquainted with the work of Jean Becker to comment here yet, but of the ones I’ve seen, his relatively recent film “Dialogue avec mon Jardinier” remains my favourite. His 1983 film, “L’Été Meurtrier” [Eng. Title: One Deadly … Continue reading
Posted in France, Isabelle Adjani, Jean Becker
Tagged explicit nudity, france, french, french mainstream cinema, frontal nudity, groping, Isabelle Adjani, leg spreading, public nudity, shocking
8 Comments
Alexandra Stewart & Cathryn Harrison in Louis Malle’s “Black Moon” [1975 France, W.Germany]
During the time when Nouvelle Vague was in full flow, there was a French director who wasn’t formally part of it, and yet explored cinema in his own unique way. Louis Malle started in film as a cameraman, and his … Continue reading