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I find it difficult to find sites that recommend the more natural and 'honest' approach to film making that the Europeans and Latin American film makers specialise in instead of the rather more restricted attitudes of the mainstream. It is extraordinarily easy to find porn films - that's not what I'm after, just good quality and, as I said, honest film making. Continue reading →
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Recent Comments
- Raghav on A brief review: “Capri – Revolution” [2018, Italy]
- Matter on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- crazyannakk on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- TR on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- Kowalski on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- sid_coz on Should artists stay above politics? “Werk ohne Autor” [2018 Germany]
- TR on A review: “DAU. Natasha” [2020, Russia, Germany, Ukraine]
- Matter on “Morning Interim: Illicit Diagrams” [2017 Portugal, United Kingdom]
- Matter on A brief review: “Vientos de la Habana” [Cuba, Spain 2016]
- Matter on It’s an insane world! “Tag der idioten” [1981, West Germany]
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Author Archives: TR
“I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
Prolific Romanian director Radu Jude’s drama “Îmi este indiferent daca în istorie vom intra ca barbari” [Eng. Title: I Do Not Care If We Go Down in History as Barbarians] throws the cat amongst the pigeons in his home … Continue reading
A review: “DAU. Natasha” [2020, Russia, Germany, Ukraine]
Rarely does one bump into a film with an ambiguous origin, uncertain of the exact time that the first seed of an idea was sown. While we might have encountered films made from ‘found-footage’ or other reality shows, nothing … Continue reading
Standing against odds: “Dylda” [2019, Russia]
Not everyone has the calibre to use a colour palette of festive greens and reds to accentuate jaded decay. At barely twenty eight, young Russian director Kantemir Balagov achieves that and more in only his second feature, “Dylda” [Eng. … Continue reading
Posted in Kantemir Balagov, Russian Cinema
Tagged frontal nudity, Highly Recommended, russian
1 Comment
A brief review: “Capri – Revolution” [2018, Italy]
Mario Martone’s drama “Capri – Revolution” looks back at a period in Capri just before the onset of the First World War, to tell a story of a young woman becoming an agent of change within the island’s conservative … Continue reading
A celebration of the female: “Las hijas del fuego” [Argentina 2018]
Albertina Carri herself has gone on record for describing her latest film “Las hijas del fuego” [Eng. Title: Daughters of Fire] as feminist porn. But the ever so modest Carri has also packaged something extra in it, as the … Continue reading
