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The depth of the reviews was a very pleasant surprise. Covering little-known films is another cool thing (although I am not a fan of the somewhat scattershot approach to what gets posted. Continue reading →
Andrija Serbia
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Recent Comments
- Raghav on A brief review: “Capri – Revolution” [2018, Italy]
- Matter on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- crazyannakk on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- TR on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- Kowalski on “I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
- sid_coz on Should artists stay above politics? “Werk ohne Autor” [2018 Germany]
- TR on A review: “DAU. Natasha” [2020, Russia, Germany, Ukraine]
- Matter on “Morning Interim: Illicit Diagrams” [2017 Portugal, United Kingdom]
- Matter on A brief review: “Vientos de la Habana” [Cuba, Spain 2016]
- Matter on It’s an insane world! “Tag der idioten” [1981, West Germany]
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Author Archives: TR
“I Do Not Care If We Go Down in History as Barbarians” [2018, Romania]
Prolific Romanian director Radu Jude’s drama “Îmi este indiferent daca în istorie vom intra ca barbari” [Eng. Title: I Do Not Care If We Go Down in History as Barbarians] throws the cat amongst the pigeons in his home … Continue reading
A review: “DAU. Natasha” [2020, Russia, Germany, Ukraine]
Rarely does one bump into a film with an ambiguous origin, uncertain of the exact time that the first seed of an idea was sown. While we might have encountered films made from ‘found-footage’ or other reality shows, nothing … Continue reading
Standing against odds: “Dylda” [2019, Russia]
Not everyone has the calibre to use a colour palette of festive greens and reds to accentuate jaded decay. At barely twenty eight, young Russian director Kantemir Balagov achieves that and more in only his second feature, “Dylda” [Eng. … Continue reading
Posted in Kantemir Balagov, Russian Cinema
Tagged frontal nudity, Highly Recommended, russian
1 Comment
A brief review: “Capri – Revolution” [2018, Italy]
Mario Martone’s drama “Capri – Revolution” looks back at a period in Capri just before the onset of the First World War, to tell a story of a young woman becoming an agent of change within the island’s conservative … Continue reading
A celebration of the female: “Las hijas del fuego” [Argentina 2018]
Albertina Carri herself has gone on record for describing her latest film “Las hijas del fuego” [Eng. Title: Daughters of Fire] as feminist porn. But the ever so modest Carri has also packaged something extra in it, as the … Continue reading
